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The impact of Richard Schechner's provocative article, arriving at a time when audiences are becoming noticeably reflective about theatrical experience, seems all the more significant because it articulates the position of an avant-garde theatre that is becoming increasingly conscious of itself and its image. I don't agree with Schechner's assessment of the avantgarde from the perspective of decline and fall because there is more to this crisis than the life cycle he describes.
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