SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

The Body and the Screen: Female Subjectivities in Contemporary Women’s Cinema · Study

ArticleShelves

ArticleThe Body and the Screen: Female Subjectivities in Contemporary Women’s Cinema

Kate Ince2017

Article2017

The Body and the Screen: Female Subjectivities in Contemporary Women’s Cinema

61 citations·0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Gender and Feminist Studies Gender, Feminism, and Media

Abstract

No abstract was published for this record.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 61 citations exist upstream.

Cited by

2020Affirmative Aesthetics and Wilful Women 2018Genre, Authorship and Contemporary Women Filmmakers 2020‘Visions of ecstasy’: resilience and melancholy in the musical moments ofBande de filles(Céline Sciamma, 2014)2023The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek ’s Moira Rose

Details

Year2017

Typearticle

Published2017-01-12

Languageen

Citations61

Files0 public / 0

ShelfCinema History and Criticism

Identifiers

openalex_workW2788784131

Links

landingopen

Imported from OpenAlex (CC0) — nothing here is generated.