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Knowing Me, Knowing You: Datafication on Music Streaming Platforms
6 references·3 citing·38 second hop
Knowing Me, Knowing You: Datafication on Music Streaming Platforms (2018)Knowing Me, Knowing You: Datafication on …Musica Analytica: The Datafication of Listening (2016)Musica Analytica: The Datafic…The Playlist Experience: Personal Playlists in Music Streaming Services (2015)The Playlist Experience: Pers…The nice thing about context is that everyone has it (2015)The nice thing about context …The Quantified Listener: Reshaping Providers and Audiences with Calculated Measurements (2014)The Quantified Listener: Resh…A New Algorithmic Identity (2011)A New Algorithmic IdentitySurvey Of Music Information Needs, Uses, And Seeking Behaviours: Preliminary Findings. (2004)Survey Of Music Information N…A song for each moment: Identifying listening modes as reflexive practices in music streaming (2025)A song for each moment: Ident…Stories and Data: Australian Musicians Navigating the Spotify for Artists Platform (2023)Stories and Data: Australian …"My Library Has Just Been Obliterated": Producing New Norms of Use Via Software Update (2020)"My Library Has Just Been Obl…Power, Action and Belief. A New Sociology of Knowledge? (1986)Trust in numbers: the pursuit of objectivity in science and public life (1995)An Engine, Not a Camera (2006)Media and the Social Construction of Reality (2020)Media Technologies (2014)Genres as Social Affect: Cultivating Moods and Emotions through Playlists on Spotify (2019)Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)The streaming network: Conceptualizing distribution economy, technology, and power in streaming media services (2020)The Interpretation of Cultures (1974)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)The Interpretation of Cultures (2017)Algorithmic Personalization as a Mode of Individuation (2019)The Moral Limits of Predictive Practices: The Case of Credit-Based Insurance Scores (2019)Toward an End-to-End Sociology of 21st-Century Machine Learning (2020)The Order of Things: An Archaeology of the Human Sciences. (1971)Discipline and Punish: The Birth of the Prison (1978)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Self-Tracking Modes: Reflexive Self-Monitoring and Data Practices (2014)Sharing and neoliberal discourse: The economic function of sharing in the digital on-demand economy (2016)The diverse domains of quantified selves: self-tracking modes and dataveillance (2016)Distinction: A Social Critique of the Judgement of Taste. (1985)Music in Everyday Life (2000)Distinction: A Social Critique of the Judgement of Taste* (2018)From creator to data: the post-record music industry and the digital conglomerates (2018)East Asian pop music idol production and the emergence of data fandom in China (2020)The Language of New Media (2002)The State of Psychological Ownership: Integrating and Extending a Century of Research (2003)Visual methodologies : an introduction to researching with visual materials (2012)Rethinking music technology pedagogy: A New Zealand focus (2022)The politics of ‘platforms’ (2010)Want to be on the top? Algorithmic power and the threat of invisibility on Facebook (2012)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)What Do Musicians Think of Digital Platforms? (2025)Realist Social Theory (1995)Structure, Agency and the Internal Conversation (2003)Consumers’ attitude and behavior towards online music piracy and subscription-based services (2014)Interacting with background music engages E-Customers more: The impact of interactive music on consumer perception and behavioral intention (2019)Interactive Music for Multisensory E-Commerce: The Moderating Role of Online Consumer Involvement in Experiential Value, Cognitive Value, and Purchase Intention (2020)
this work references cited by second hop

References

  • 2011A New Algorithmic Identity675 cited
  • 2015The Playlist Experience: Personal Playlists in Music Streaming Services216 cited
  • 2004Survey Of Music Information Needs, Uses, And Seeking Behaviours: Preliminary Findings.172 cited
  • 2015The nice thing about context is that everyone has it156 cited
  • 2016Musica Analytica: The Datafication of Listening86 cited
  • 2014The Quantified Listener: Reshaping Providers and Audiences with Calculated Measurements16 cited

Cited by

  • 2020"My Library Has Just Been Obliterated": Producing New Norms of Use Via Software Update14 cited
  • 2023Stories and Data: Australian Musicians Navigating the Spotify for Artists Platform5 cited
  • 2025A song for each moment: Identifying listening modes as reflexive practices in music streaming3 cited

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