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Contemporary Zimbabwean popular music in the context of adversities
7 references·4 citing·30 second hop
Contemporary Zimbabwean popular music in the context of adversities (2018)Contemporary Zimbabwean popular music in …Youth Lyrics, Street Language and the Politics of Age: Contextualising the Youth Question in the Third Chimurenga in Zimbabwe (2012)Youth Lyrics, Street Language…The aesthetics of Winky D's Zimbabwe urban grooves music and an overview of his social commentary on the post-2000 experiences in Harare and other urban centres (2011)The aesthetics of Winky D's Z…Continuity and change: Impact of global popular culture on urban grooves music in Zimbabwe (2009)Continuity and change: Impact…‘Zimbolicious’ – The Creative Potential of Linguistic Innovation: The Case of Shona-English in Zimbabwe (2009)‘Zimbolicious’ – The Creative…On the Postcolony (2001)On the PostcolonySpectacular Vernaculars: Hip-Hop and the Politics of Postmodernism. (1996)Spectacular Vernaculars: Hip-…Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Dangerous Crossroads: Popular…Singing truth to power: youth existential struggles and popular music in Zimbabwe (2025)Singing truth to power: youth…Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe (2022)Popular Music and the Concept…Oliver Mtukudzi: Singing for Harmony to Reconstruct and Heal Our Land (2022)Oliver Mtukudzi: Singing for …Appreciating vulgarity in raw Zimdancehall music as expression of truth (2021)Appreciating vulgarity in raw…Mass Communication and Society. (1978)Cultural Imperialism (1991)The culture industry : selected essays on mass culture (1991)Risky dialogues: the performative state and the nature of power in a postcolony (2015)Perspectives of Zimbabwe–China relations in Wallace Chirumiko’s ‘Made in China’ (2012) and NoViolet Bulawayo’sWe Need New Names(2013) (2016)Zimbabwe Dancehall Music as a Site of Resistance (2017)Readings in African Popular Culture (1998)Reading the Popular (2006)A theory of human motivation. (1943)International Journal of Humanities and Social Science (2018)On the Postcolony (2019)Sex Gospel in Zimbabwe’s Pentecostal Christianity as a Response to Social Change: The Case of Apostle Kapandura and Mai Lucia Gunguwo (2021)Popular Arts in Africa (1987)The Banality of Power and the Aesthetics of Vulgarity in the Postcolony (1992)The qualitative content analysis process (2008)Qualitative Interviewing Techniques and Styles (2010)The Time of Youth (2012)The Psychology of State Repression: Fear and Dissent Decisions in Zimbabwe (2018)African American English: A Linguistic Introduction (2004)Color-Blind Ideology and the Cultural Appropriation of Hip-Hop (2006)Framing and Reviewing Hip-Hop Educational Research (2009)A Sweet Lullaby for World Music (2000)Youth and Cultural Practice (2002)The Racialization of Space and the Spatialization of Race: Theorizing the Hidden Architecture of Landscape (2007)Code-switching in Zimbabwean urban grooves music (2014)Social commentary, subaltern voices and the alternative medium of Zimdancehall music: Unpacking the music of Winky D and Sniper Storm (2016)Transnational Languages, Multilinguals and the Challenges for LADO (2018)Venus in Two Acts (2008)Matters of care in technoscience: Assembling neglected things (2010)The Politics and Poetics of Infrastructure (2013)
this work references cited by second hop

References

  • 2001On the Postcolony1,748 cited
  • 1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited
  • 1996Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism.253 cited
  • 2012Youth Lyrics, Street Language and the Politics of Age: Contextualising the Youth Question in the Third Chimurenga in Zimbabwe35 cited
  • 2009‘Zimbolicious’ – The Creative Potential of Linguistic Innovation: The Case of Shona-English in Zimbabwe32 cited
  • 2011The aesthetics of Winky D's Zimbabwe urban grooves music and an overview of his social commentary on the post-2000 experiences in Harare and other urban centres29 cited
  • 2009Continuity and change: Impact of global popular culture on urban grooves music in Zimbabwe24 cited

Cited by

  • 2021Appreciating vulgarity in raw Zimdancehall music as expression of truth10 cited
  • 2022Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe6 cited
  • 2025Singing truth to power: youth existential struggles and popular music in Zimbabwe5 cited
  • 2022Oliver Mtukudzi: Singing for Harmony to Reconstruct and Heal Our Land2 cited

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