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Creating a Theatrical Experience on a Virtual Stage
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Creating a Theatrical Experience on a Virtual Stage (2018)Creating a Theatrical Experience on a Vir…From (Archival) Page to (Virtual) Stage: The Virtual Vaudeville Prototype (2016)From (Archival) Page to (Virt…Farewell to dawn (2016)Farewell to dawnDistributed Liveness (2016)Distributed LivenessSensing a live audience (2014)Sensing a live audienceAdapting a Virtual World for Theatrical Performance (2011)Adapting a Virtual World for …Emotions in the Everyday Life of a Dance School: Articulating Unspoken Values (2008)Emotions in the Everyday Life…Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness (2003)Telematic Embrace: Visionary …Bowen virtual theater (2003)Bowen virtual theaterArchive or Memory? The Detritus of Live Performance (2003)Archive or Memory? The Detrit…Psychology for Performing Artists (2001)Psychology for Performing Art…The Hidden Dimension (1973)The Hidden DimensionFilm and Theatre (1966)Film and TheatreAudience experience : measuring quality in the performing arts (2009)Love, hate, arousal and engagement (2011)Bio-Sensed and Embodied Participation in Interactive Performance (2017)A Critique of Electrodermal Activity Practices at CHI (2021)Collected Papers of Charles Sanders Peirce (1935)The Managed Heart: Commercialization of Human Feeling (1984)InterViews: An introduction to qualitative research interviewing (1997)The archive and the human sciences: notes towards a theory of the archive (1998)The seductions of the archive: voices lost and found (1999)Screening early modern drama: beyond Shakespeare (2014)The Temporality of the Landscape Revisited (2016)Entertainment as an archival source for historical accounting research (2020)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Liveness: performance in a mediatized culture (2008)Streaming on twitch (2014)Online distant witnessing and live-streaming activism: Emerging differences in the activation of networked publics (2018)Expanding the Design Space for Technology-Mediated Theatre Experiences (2021)"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms (2023)Intensities of feeling: towards a spatial politics of affect (2004)Da cultura das mídias à cibercultura: o advento do pós-humano (2008)Learning and Teaching Art through Social Media (2012)Self-monitoring of expressive behavior. (1974)IEMOCAP: interactive emotional dyadic motion capture database (2008)Customer Experience Creation: Determinants, Dynamics and Management Strategies (2009)‘Best Betrayal’: the Documentation of performance on Video and Film, Part 1 (1995)Young people and performance : the impact of deterritorialisation on contemporary theatre for young people (2004)The Index and the Algorithm (2007)‘People-work’: emotion management, stress and coping (2004)Reality-based practice under pressure improves handgun shooting performance of police officers (2008)Resounding Meaning: A PERMA Wellbeing Profile of Classical Musicians (2018)
this work references cited by second hop

References

  • 1973The Hidden Dimension4,860 cited
  • 2003Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness162 cited
  • 1966Film and Theatre94 cited
  • 2001Psychology for Performing Artists71 cited
  • 2003Archive or Memory? The Detritus of Live Performance59 cited
  • 2014Sensing a live audience56 cited
  • 2016Distributed Liveness46 cited
  • 2016From (Archival) Page to (Virtual) Stage: The Virtual Vaudeville Prototype8 cited
  • 2003Bowen virtual theater8 cited
  • 2008Emotions in the Everyday Life of a Dance School: Articulating Unspoken Values8 cited
  • 2011Adapting a Virtual World for Theatrical Performance7 cited
  • 2016Farewell to dawn6 cited

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