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Multi-technique characterization of madder lakes: A comparison between non- and micro-destructive methods
16 references·1 citing·36 second hop
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References

  • 2010Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy325 cited
  • 2009Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles257 cited
  • 1985High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles255 cited
  • 2012Identification of anthraquinone markers for distinguishing Rubia species in madder-dyed textiles by HPLC117 cited
  • 2009Comparison of extraction methods for the analysis of natural dyes in historical textiles by high-performance liquid chromatography107 cited
  • 2011Extracting natural dyes from wool—an evaluation of extraction methods95 cited
  • 2014A systematic analysis of red lake pigments in French Impressionist and Post‐Impressionist paintings by surface‐enhanced Raman spectroscopy (SERS)86 cited
  • 2009Chemical Fingerprinting of Ready-Mixed House Paints of Relevance to Artistic Production in the First Half of the Twentieth Century. Part I: Inorganic and Organic Pigments59 cited
  • 2011Photophysical properties of alizarin and purpurin Al(III) complexes in solution and in solid state59 cited
  • 2016Trends in High Performance Liquid Chromatography for Cultural Heritage57 cited
  • 2013Surface-enhanced Raman spectroscopy studies of yellow organic dyestuffs and lake pigments in oil paint54 cited
  • 2012Rethinking the History of Artists' Pigments Through Chemical Analysis48 cited
  • 2017

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Pictorial materials database: 1200 combinations of pigments, dyes, binders and varnishes designed as a tool for heritage science and conservation
32 cited
  • 1985Identification of dyeing mordants and related substances on textile fibers: a preliminary study using energy dispersive X-ray spectrometry29 cited
  • 2015Multi‐analytical non‐invasive study of modern yellow paints from postwar Italian paintings from the International Gallery of Modern Art Cà Pesaro, Venice25 cited
  • 2011Blue Pigment Colors from Wall Painting Churches in Danger (Portugal 15th to 18th Century): Identification, Diagnosis, and Color Evaluation20 cited
  • Cited by

    • 2020Discovery of Vespasiano Bignami paintings at the National Theatre of Costa Rica through technical photography and UV–Vis spectroscopy12 cited