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Conceptualizing Artists’ Rights
16 references·0 citing·38 second hop
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References

  • 2001Actor Network Theory and After3,263 cited
  • 1980For a Critique of the Political Economy of the Sign2,111 cited
  • 1999Property, Substance and Effect: Anthropological Essays on Persons and Things907 cited
  • 2009The Making of Law: An Ethnography of the Conseil d'Etat595 cited
  • 1974Six Years: The Dematerialization of the Art Object from 1966 to 1972429 cited
  • 2006Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art348 cited
  • 2001What Happened to Property in Law and Economics?345 cited
  • 1999Conceptual Art : A Critical Anthology329 cited
  • 1990Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions302 cited
  • 2005Kinship, Law and the Unexpected: Relatives are Always a Surprise289 cited
  • 1943Contracts of Adhesion--Some Thoughts about Freedom of Contract273 cited
  • 2003The Contingent Object of Contemporary Art220 cited
  • 1975Painting and Experience in Fifteenth Century Italy; A Primer in the Social History of Pictorial Style197 cited
  • 2008Why Are Artists Poor? : The Exceptional Economy of the Arts176 cited
  • 2012An Introduction to Property Theory172 cited

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  • 2003The Contract as Social Artifact152 cited
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