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From selling out to savvy strategy: how The O.C. helped change the stigma around licensing indie music
13 references·0 citing·43 second hop
From selling out to savvy strategy: how The O.C. helped change the stigma around licensing indie music (2018)From selling out to savvy strategy: how T…From Background Music to Above-the-Line Actor: The Rise of the Music Supervisor in Converging Televisual Environments (2013)From Background Music to Abov…Tuning In: American Narrative Television Music (2011)Tuning In: American Narrative…The Changing Shape of the Culture Industry; or, How Did Electronica Music Get into Television Commercials? (2007)The Changing Shape of the Cul…Rip it up and start again : postpunk 1978-1984 (2006)Rip it up and start again : p…American Independent Cinema (2006)American Independent CinemaWhat Is Indie Rock? (2005)What Is Indie Rock?Tracking British television: pop music as stock soundtrack to the small screen (2002)Tracking British television: …Reconsidering rock (2001)Reconsidering rockINDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)INDIE: THE INSTITUTIONAL POLI…Performing Rites (1996)Performing RitesSubcultural identity in alternative music culture (1993)Subcultural identity in alter…Music and Society: The Politics of Composition, Performance and Reception. (1988)Music and Society: The Politi…Music, television, and video: Historical and aesthetic considerations (1987)Music, television, and video:…Zoot Suits and Second-Hand Dresses (1989)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Senseless acts of beauty: cultures of resistance since the sixties (1996)Free Labor (2000)Bourdieu, the media and cultural production (2006)Amateur experts (2009)Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Birth of the Prison. (1996)Club Cultures: Music, Media and Subcultural Capital (1997)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Critique and Renewal in the Sociology of Music: Bourdieu and Beyond (2011)Selling Out: Musicians, Autonomy, and Compromise in the Digital Age (2016)3.2. MARXISM AND LITERATURE (2006)The Christian Science Monitor (2011)Brand value: how affective labour helps create brands (2013)Branding a Cool Celebrity President: Popular Music, Political Advertising, and the 2012 Election (2015)From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)The Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-Making in an English Town. (1990)Beyond geography's visible worlds: a cultural politics of music (1997)MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES (2002)The Mediated Performance of Vernaculars (2009)Visible Fictions: Cinema: Television: Video (1982)Audio-vision: sound on screen (1994)Analysing Musical Multimedia (1998)The Semantics of Musical Topoi (2015)Materializing Film Music (2016)The Cambridge Companion to Film Music (2016)Researching youth culture and popular music: a methodological critique (2002)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The mp3 as cultural artifact (2006)Beneath sci-fi sound (2012)Mainstreaming Innovation in Art Worlds: Cooperative links, conventions and amphibious artists (2016)Genre, Authorship and Contemporary Women Filmmakers (2018)Authenticity Revisited: The Rock Critic and the Changing Real (2010)SoundCloud and Bandcamp as Alternative Music Platforms (2019)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)The cultural and creative industries: a review of the literature (2007)Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths (2010)Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry (2017)
this work references cited by second hop

References

  • 1996Performing Rites1,123 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 2006Rip it up and start again : postpunk 1978-1984329 cited
  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 1993Subcultural identity in alternative music culture159 cited
  • 2001Reconsidering rock144 cited
  • 2005What Is Indie Rock?138 cited
  • 2006American Independent Cinema89 cited
  • 2011Tuning In: American Narrative Television Music74 cited
  • 2007The Changing Shape of the Culture Industry; or, How Did Electronica Music Get into Television Commercials?38 cited
  • 2013From Background Music to Above-the-Line Actor: The Rise of the Music Supervisor in Converging Televisual Environments22 cited
  • 1987Music, television, and video: Historical and aesthetic considerations19 cited
  • 2002Tracking British television: pop music as stock soundtrack to the small screen16 cited

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