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Why is she naked? An Iterative Refinement of the Digitisation of ICH with the OvaHimba Tribe in Namibia
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Why is she naked? An Iterative Refinement of the Digitisation of ICH with the OvaHimba Tribe in Namibia (2018)Why is she naked? An Iterative Refinement…A perspective on Systems Design in the Digitisation of Intangible Cultural Heritage (2017)A perspective on Systems Desi…A Decade Later: Looking at the Past while Sketching the Future of ICH through the Tripartite Digitisation Model (2015)A Decade Later: Looking at th…A history of Namibia: from the beginning to 1990 (2012)A history of Namibia: from th…9 The Unesco Convention For The Safeguarding Of The Intangible Cultural Heritage (2011)9 The Unesco Convention For T…Indigenous Ways of Knowing: Implications for Participatory Research and Community (2007)Boundary management strategies for governing family firms: A UAE-based case study (2014)Class, Race, and Emotions (2014)The Process of Responsibility, Decoupling Point, and Disengagement of Moral and Social Responsibility in Supply Chains: Empirical Findings and Prescriptive Thoughts (2014)Social Signal Processing (2017)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)Cultural Resources as Sustainability Enablers: Towards a Community-Based Cultural Heritage Resources Management (COBACHREM) Model (2013)Archaeological tourism: A creative approach (2017)Intangible cultural heritage: a benefit to climate-displaced and host communities (2021)Institutions put to the test: Community-based water management in Namibia during a drought (2015)Late Holocene Fauna from Kuidas Spring in Namibia (2015)Derisking Developmentalism: A Tale of Green Hydrogen (2023)
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References

  • 2012A history of Namibia: from the beginning to 1990124 cited
  • 20119 The Unesco Convention For The Safeguarding Of The Intangible Cultural Heritage91 cited
  • 2015A Decade Later: Looking at the Past while Sketching the Future of ICH through the Tripartite Digitisation Model29 cited
  • 2017A perspective on Systems Design in the Digitisation of Intangible Cultural Heritage13 cited

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