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A (Digital) Future for Saharan Rock Art?
16 references·3 citing·38 second hop
A (Digital) Future for Saharan Rock Art? (2018)A (Digital) Future for Saharan Rock Art?The Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017)The Oxford Handbook of the Ar…GIS in Rock Art Studies (2017)GIS in Rock Art StudiesWadi Sura - the Cave of Beasts. A Rock Art Site in the Gilf Kebir (SW-Egypt) (2014)Wadi Sura - the Cave of Beast…The Oxford handbook of African archaeology (2014)The Oxford handbook of Africa…Saharan Rock Art: Local Dynamics and Wider Perspectives (2013)Saharan Rock Art: Local Dynam…Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies (2012)Digital Enhancement of Deteri…Working in a UNESCO WH Site. Problems and Practices on the Rock Art of Tadrart Akakus (SW Libya, Central Sahara) (2011)Working in a UNESCO WH Site. …The date and context of Neolithic rock art in the Sahara: engravings and ceremonial monuments from Messak Settafet (south-west Libya) (2010)The date and context of Neoli…Prehistoric Rock Art: Polemics and Progress (2010)Prehistoric Rock Art: Polemic…Prehistoric Rock Art (2010)Prehistoric Rock ArtThe Archaeology of Rock-Art (2000)The Archaeology of Rock-ArtLa montagne des hommes-chiens : art rupestre du Messak libyen (2000)La montagne des hommes-chiens…Art rupestre et préhistoire du Sahara : le Messak libyen (1998)Art rupestre et préhistoire d…Rock art research as landscape archaeology: A pilot study in Galicia, north‐west Spain (1994)Rock art research as landscap…The First Americans: Search and Research (1991)The First Americans: Search a…Archeology: Tadrart Acacus: Arte rupestre e culture del Sahara preistorico. FABRIZIO MORI (1971)Archeology: Tadrart Acacus: A…Rock Art on the UNESCO World Heritage List: Spatial Configuration, Territorial Scale, and the Granularity of Recognition (2026)Rock Art on the UNESCO World …Digitalization, Cultural Production, Exchange, and Consumption (2024)Digitalization, Cultural Prod…Usable Pasts Forum: UNESCO and Heritage Tourism in Africa (2021)Usable Pasts Forum: UNESCO an…Myths and Legends of Torres Strait. (1972)Documentation, Analysis and Interpretation: Dilemmas in Rock Art Research (1990)Handbook of Rock Art Research (2001)Computer vision methods and rock art: towards a digital detection of pigments (2013)A step further in rock art digital enhancements. 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Pigments and other coloured residues from the Early-Middle Holocene site of Takarkori (SW Libya) (2015)Shamanism: Archaic Techniques of Ecstasy (1951)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Maya Cosmos: Three Thousand Years on the Shaman's Path (1995)The southern San and the trance dance: a pivotal debate in the interpretation of San rock paintings (2012)Paleolithic Art: A Cultural History (2013)Datura quids at Pinwheel Cave, California, provide unambiguous confirmation of the ingestion of hallucinogens at a rock art site (2020)Appropriated pasts: indigenous peoples and the colonial culture of archaeology (2006)Early dates for ‘Neanderthal cave art’ may be wrong (2018)Colonisation and early peopling of the Colombian Amazon during the Late Pleistocene and the Early Holocene: New evidence from La Serranía La Lindosa (2020)The archaeometry of ochre sensu lato: A review (2021)The cultures of the Middle Palaeolithic/Middle Stone Age (1982)The earliest archaeological traces (1982)The climate-environment-society nexus in the Sahara from prehistoric times to the present day (2005)Paleoindian Colonization of the Americas: Implications from an Examination of Physiography, Demography, and Artifact Distribution (2000)Late Quaternary paleoenvironments of Northwestern North America: implications for inland versus coastal migration routes (2001)Behavioral Ecology and Archaeology (2006)Inscribed landscapes: marking and making place (2003)The revolution that didn't arrive: A review of Pleistocene Sahul (2008)‘Rock-art’, ‘Animism’ and Two-way Thinking: Towards a Complementary Epistemology in the Understanding of Material Culture and ‘Rock-art’ of Hunting and Gathering People (2011)The symmetry of Acheulean handaxes and cognitive evolution (2015)Discontinuities in hunter-gatherer prehistory in southern African drylands (2016)Large flake Acheulean in the middle of Tagus basin (Spain): Middle stretch of the river Tagus valley and lower stretches of the rivers Jarama and Manzanares valleys (2016)
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References

  • 2017The Oxford Handbook of the Archaeology and Anthropology of Rock Art227 cited
  • 1991The First Americans: Search and Research215 cited
  • 2014The Oxford handbook of African archaeology128 cited
  • 2000The Archaeology of Rock-Art99 cited
  • 1994Rock art research as landscape archaeology: A pilot study in Galicia, north‐west Spain86 cited
  • 1971Archeology: Tadrart Acacus: Arte rupestre e culture del Sahara preistorico. FABRIZIO MORI53 cited
  • 2010Prehistoric Rock Art51 cited
  • 2010Prehistoric Rock Art: Polemics and Progress46 cited
  • 2010The date and context of Neolithic rock art in the Sahara: engravings and ceremonial monuments from Messak Settafet (south-west Libya)38 cited
  • 2012Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies31 cited
  • 2013Saharan Rock Art: Local Dynamics and Wider Perspectives28 cited
  • 2011Working in a UNESCO WH Site. Problems and Practices on the Rock Art of Tadrart Akakus (SW Libya, Central Sahara)20 cited
  • 2000La montagne des hommes-chiens : art rupestre du Messak libyen19 cited
  • 1998Art rupestre et préhistoire du Sahara : le Messak libyen19 cited
  • 2017GIS in Rock Art Studies

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17 cited
  • 2014Wadi Sura - the Cave of Beasts. A Rock Art Site in the Gilf Kebir (SW-Egypt)15 cited
  • Cited by

    • 2021Usable Pasts Forum: UNESCO and Heritage Tourism in Africa20 cited
    • 2024Digitalization, Cultural Production, Exchange, and Consumption4 cited
    • 2026Rock Art on the UNESCO World Heritage List: Spatial Configuration, Territorial Scale, and the Granularity of Recognition0 cited