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Scriabin’s Atonal Problem
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Scriabin’s Atonal Problem (2018)Scriabin’s Atonal ProblemA Problem in Organic Form: Schoenberg's Tonal Body (2016)A Problem in Organic Form: Sc…The Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory (2014)The Expansion of the Concept …Harmony and Voice Leading in the Music of Stravinsky (2014)Harmony and Voice Leading in …Rethinking Octatonicism (2012)Rethinking OctatonicismExtraordinary Measures (2011)Extraordinary MeasuresNormalizing the Abnormal: Disability in Music and Music Theory (2006)Normalizing the Abnormal: Dis…Voice-Leading Parsimony in the Music of Alexander Scriabin (1998)Voice-Leading Parsimony in th…Orthography in Scriabin's Late Works (1993)Orthography in Scriabin's Lat…Late Skriabin: Some Principles behind the Style (1983)Late Skriabin: Some Principle…Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Schubert's Promissory Note: A…Problems of Pitch Organization in Stravinsky (1963)Stravinsky and the Russian Traditions (1996)Catching Up with Rimsky-Korsakov (2011)“On the System of Stravinsky’s Harmony” by Yuri Kholopov (2013)The Concept of Mutability in Russian Theory (2014)On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality (2019)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Generalized Musical Intervals and Transformations (2007)An Octatonic History of Prokofiev’s Compositional Oeuvre (2018)On the Russian Concept of Lād, 1830–1945 (2019)Serial Composition and Atonality (1962)Synesthetic Perception: Alexander Scriabin's Color Hearing (1985)Scriabin's Octatonic Sonata (1996)‘A S cience of T onal L ove ’? D rive and D esire in T wentieth ‐C entury H armony : the E rotics of S kryabin (2010)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Composer's Voice (1974)Music as Drama (1988)Stigma: Notes on the Management of Spoiled Identity (1969)Women, Fire, and Dangerous Things (1987)Metaphors We Live By (2003)Disability and “Late Style” in Music (2008)Class, Control, and Classical Music (2019)Structural Hearing; Tonal Coherence in Music (1953)Perspectives of New Music (1963)Three Stravinsky Analyses:Petrushka, Scene 1 (to Rehearsal No. 8);The Rake’s Progress, Act III, Scene 3 (“In a foolish dream”);Requiem Canticles, “Exaudi” (2012)The Rite of Spring Briefly Revisited: Thoughts on Stravinsky’s Stratifications, the Psychology of Meter, and African Polyrhythm (2017)The Harmonic-Bass Divorce in Rock (2019)The Body in the Mind (1987)The Wounded Storyteller (1995)Making music, making friends: Long-term music therapy with young adults with severe learning disabilities (2013)The Impacts of COVID-19 on the Research Enterprise (2020)Music Theory’s Therapeutic Imperative and the Tyranny of the Normal (2021)Broken Beauty (2018)Form—Function—Content (2018)Representing Disability (2018)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Scale Networks and Debussy (2004)Cross-Type Transformations and the Path Consistency Condition (2007)Rummaging Through the 'Catacombs': Clues in Musorgsky's Pitch Notations (1995)Pitch Organisation in S criabin's T enth S onata (2015)The line of fifths and the co-evolution of tonal pitch-classes (2022)
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References

  • 1982Schubert's Promissory Note: An Exercise in Musical Hermeneutics220 cited
  • 2006Normalizing the Abnormal: Disability in Music and Music Theory172 cited
  • 2011Extraordinary Measures108 cited
  • 1998Voice-Leading Parsimony in the Music of Alexander Scriabin91 cited
  • 2016A Problem in Organic Form: Schoenberg's Tonal Body23 cited
  • 2014Harmony and Voice Leading in the Music of Stravinsky22 cited
  • 1983Late Skriabin: Some Principles behind the Style19 cited
  • 2012Rethinking Octatonicism16 cited
  • 1993Orthography in Scriabin's Late Works15 cited
  • 2014The Expansion of the Concept of Mode in Twentieth-Century Russian Music Theory11 cited

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