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La repŕesentation spatio-verticale du caractère musical grave-aigu et l'élaboration de la notion de hauteur de son dans la conscience musicale occidentale
0 references·6 citing·21 second hop
La repŕesentation spatio-verticale du caractère musical grave-aigu et l'élaboration de la notion de hauteur de son dans la conscience musicale occidentale (1979)La repŕesentation spatio-verticale du car…Music, Analysis, Experience (2015)Music, Analysis, ExperienceSi può interpretare la musica elettroacustica? (2014)Si può interpretare la musica…Metaphor and music (2008)Metaphor and musicSonic Object: A model for twentieth‐century music analysis (1997)Sonic Object: A model for twe…An historical and epistemological approach to the musical notion of “form-bearing” element (1989)An historical and epistemolog…Des neumes à la portée (1983)Des neumes à la portéeJohn Cage's 4′33″ : Is it music? (1997)Space-form and the acousmatic image (2007)Die Harmonielehre des Klaudios Ptolemaios (1930)Miscellanea Mediaevalia (1965)Traité de l'harmonie : réduite à ses principes naturels (1992)PRESCRIPTIVE AND DESCRIPTIVE MUSIC-WRITING (1958)Sounds and Signs: Aspects of Musical Notation (1974)Essai sur la connaissance approchée (1987)The Structure of Atonal Music (1973)The Structure of Atonal Music (1974)Structural Functions in Music (1977)The Body in the Mind (1987)The Cultural Origins of Human Cognition (2000)Metaphors We Live By (2003)Action and Agency Revisited (2013)Bridging the gap between image and metaphor through cross-modal iconicity (2017)“Hearing music as . . .”: Metaphors evoked by the sound of classical music. (2019)The Anxiety of Influence: A Theory of Poetry (1974)Speech Genres and Other Late Essays (1986)Tractatus logico-philosophicus (2021)Restoring Authenticity: Literary, Linguistic, and Computational Study of the Manuscripts of Tchaikovsky’s Children’s Album (2025)
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Cited by

  • 2008Metaphor and music107 cited
  • 1983Des neumes à la portée10 cited
  • 1989An historical and epistemological approach to the musical notion of “form-bearing” element6 cited
  • 2015Music, Analysis, Experience5 cited
  • 1997Sonic Object: A model for twentieth‐century music analysis3 cited
  • 2014Si può interpretare la musica elettroacustica?2 cited

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