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The Artist's Handbook of Materials and Techniques
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  • 2005Fourier transform infrared spectroscopy applied to ink characterization of one-penny postage stamps printed 1841–188045 cited
  • 2006Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media40 cited
  • 2007The Byzantine wall paintings from the Protaton Church on Mount Athos, Greece: tradition and science40 cited
  • 2010Quantitative determination of un-derivatised amino acids in artistic mural paintings using high-performance liquid chromatography/electrospray ionization triple quadrupole mass spectrometry28 cited
  • 2018Optical and colorimetric characterization on binary mixtures prepared with coloured and white historical pigments27 cited
  • 2013FT-NIR microscopy: An advanced spectroscopic approach for the characterisation of paint cross-sections26 cited
  • 2013A multi-technique chemical characterization of a Stradivari decorated violin top plate25 cited
  • 2021On-site contactless surface analysis of modern paintings from Galleria Nazionale (Rome) by reflectance FTIR and Raman spectroscopies22 cited
  • 2015Synergistic use of Py–THM–GCMS, DTMS, and ESI–MS for the characterization of the organic fraction of modern enamel paints21 cited
  • 2014Analytical characterisation of the biodeterioration of diterpenoid labdanic varnishes used in pictorial techniques: Sandarac and Manila copal20 cited
  • 2010Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons20 cited

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  • 2015An investigation into the separation and migration of oil in paintings by Erik Oldenhof18 cited
  • 2009Characterisation of the transparent surface coatings on post-Byzantine icons using microscopic, mass spectrometric and spectroscopic techniques18 cited
  • 2020DSC on ovalbumin-hematite “tempera” paints: the role of water and pigment on protein stability12 cited
  • 1996The Shifting Function of Artists' Fixatives9 cited