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The Structure of the Market and Musical Style: The Economics of Opera Production and Repertoire: An exploration
8 references·3 citing·27 second hop
The Structure of the Market and Musical Style: The Economics of Opera Production and Repertoire: An exploration (1975)The Structure of the Market and Musical S…A Social History of Music: From the Middle Ages to Beethoven (1973)A Social History of Music: Fr…Bach, Beethoven, and Bureaucracy: The Case of the Philadelphia Orchestra (1972)Bach, Beethoven, and Bureaucr…Performing Arts: The Economic Dilemma (1969)Performing Arts: The Economic…The Great Conductors (1967)The Great ConductorsThe Performing Arts: Problems and Prospects (1965)The Performing Arts: Problems…Music in the Baroque Era from Monteverdi to Bach (1949)Music in the Baroque Era from…Short History of Music (1948)Short History of MusicThe State of Music (1939)The State of MusicRepertoarna analiza ljubljanskega opernega uprizarjanja od ustanovitve Dramatičnega društva do danes (2019)Repertoarna analiza ljubljans…Repertoire Conventionality in Major US Symphony Orchestras: Factors Influencing Management's Programming Choices (2013)Repertoire Conventionality in…OPERA, MYTH, SOCIETY: HOW DO THEY CORRELATE? (2004)OPERA, MYTH, SOCIETY: HOW DO …Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critique of the Judgement of Taste* (2018)Performing Arts: The Economic Dilemma. (1968)Programmatic Risk-Taking by American Opera Companies (2000)Organizing the musical canon (2002)The Relationship Between Box Office and Repertoire: a Case Study of Opera (1977)The naturalization of Andean Christianities (2007)Tridentine worship and the cult of saints (2007)A Catalogue and Bibliography of English Song From Its Beginnings to c1300 (1976)Public support of the arts: Three arguments examined (1979)Optimal crowdfunding design (2019)Entertainment Industry Economics (2020)Measuring Resemblance in Sequence Data: An Optimal Matching Analysis of Musicians' Careers (1990)The Doctrine of Affections: Where Art Meets Reason (2017)The Conductor and the Orchestra (1994)The processual nature of leadership discourses (2007)Show us the sound! Aesthetic leadership of symphony orchestra conductors (2011)Government Patronage of Science and Art in America (1976)Policy Communities and Policy Influence: Securing a Government Role in Cultural Policy for the Twenty-First Century (1995)Chapter 36 Tax Incentives in Cultural Policy (2006)The economics of the creative arts: The case of the composer (1978)Displayed Art and Performed Music: Selective Innovation and the Structure of Artistic Media (1980)Edward MacDowell: Musical Nationalism and an American Tone Poet (1996)Orchestra Interaction: Some Features of Communication and Authority in an Artistic Organization (1973)Correlates of Organizational and Professional Commitment (1987)Behind the Baton: Exploring Autoethnographic Writing in a Musical Context (2009)
this work references cited by second hop

References

  • 1949Music in the Baroque Era from Monteverdi to Bach113 cited
  • 1969Performing Arts: The Economic Dilemma66 cited
  • 1973A Social History of Music: From the Middle Ages to Beethoven47 cited
  • 1967The Great Conductors39 cited
  • 1965The Performing Arts: Problems and Prospects25 cited
  • 1972Bach, Beethoven, and Bureaucracy: The Case of the Philadelphia Orchestra24 cited
  • 1939The State of Music23 cited
  • 1948Short History of Music11 cited

Cited by

  • 2013Repertoire Conventionality in Major US Symphony Orchestras: Factors Influencing Management's Programming Choices14 cited
  • 2004OPERA, MYTH, SOCIETY: HOW DO THEY CORRELATE?2 cited
  • 2019Repertoarna analiza ljubljanskega opernega uprizarjanja od ustanovitve Dramatičnega društva do danes2 cited

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