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Cited by

• 2016On the discrepancy between objects and things: An ecological approach157 cited
• 2010She-wolf: the story of a Roman icon48 cited
• 1994Casts and cast-offs: the origins of the Museum of Classical Archaeology37 cited
• 1996S. Ivo Alla Sapienza: The First Three Minutes9 cited
• 2005From Praxiteles to de Chirico: Art and reception8 cited
• 1990Caravaggio's self‐portrait as the beheaded goliath4 cited
• 1998Classical Casts and Colonial Galleries: The Life and Afterlife of the 1908 Beit Gift to the National Gallery of Cape Town4 cited
• 2007Un-discarded images: illustrations of antique musical instruments in 17th- and 18th-century books, their sources and transmission4 cited
• 2015Music, antiquity and self-fashioning in the Accademia dei Lincei4 cited
• 2001Ernst Kris on F. X. Messerschmidt—A Valuable Stimulus for New Research?4 cited
• 2019Lonely or not? Masterpieces in the museum, then and now3 cited
• 2002A MASTERPIECE FOR THE MODERN MUSEUM: THE VENUS DE MILO2 cited
• 1992Pathosformeis, Decorum and the “Art of Gestures” in Caravaggio's death of the Virgin2 cited
• 1993Freedom, Neoclassicism, and Republican Nationalism2 cited