SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The miracle of analogy, or, the history of photography, part 1
0 references·9 citing·29 second hop
The miracle of analogy, or, the history of photography, part 1 (2015)The miracle of analogy, or, the history o…“Impressions of Plants Themselves”: Materializing Eco-Archival Practices with Anna Atkins'sPhotographs of British Algae (2019)“Impressions of Plants Themse…Sexology’s Photographic Turn: Visualizing Trans Identity in Interwar Germany (2018)Sexology’s Photographic Turn:…Darkroom Material: Race and the Chromogenic Print Process (2018)Darkroom Material: Race and t…Proustian Developments: The World and Object of Photography (2017)Proustian Developments: The W…Poe, the Portrait, and the Daguerreotype: Poe’s Living Dead and the Visual Arts (2017)Poe, the Portrait, and the Da…Joan Fontcuberta: post-photography and the spectral image of saturation (2017)Joan Fontcuberta: post-photog…Animation and the Powers of Plasticity (2017)Animation and the Powers of P…Why have the dead come back? The instance of photography (2016)Why have the dead come back? …A Photobook of the Shimmer: Pearl Fisheries, Photography, and British Colonialism in South Asia (2016)A Photobook of the Shimmer: P…Illuminations: Essays and Reflections (1968)Postmodernism, or, The cultural logic of late capitalism (1991)The Language of New Media (2002)Reimagining Affection in a Changing Shanghai (2023)Homo sacer: sovereign power and bare life (1999)Frames of war: when is life grievable? (2009)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Camera Lucida: Reflections on Photography (2001)THE POLITICS OF AESTHETICS: THE DISTRIBUTION OF THE SENSIBLE (2005)The Devil and Commodity Fetishism in South America (1981)The Work of Art in the Age of Mechanical Reproduction (2007)Classic Essays on Photography (1981)What do pictures want?: the lives and loves of images (2006)The World Viewed. Reflections on the Ontology of Film. (1972)The World Viewed: Reflections on the Ontology of Film. (1974)Spectacular Mundane in the Films of Studio Ghibli (2021)What Should We Do with Our Brain? (2022)Cruising utopia: the then and there of queer futurity (2010)Playing and Reality (2012)De-pathologizing Photographs (2021)The Ontology of the Photographic Image (1960)American Archives: Gender, Race, and Class in Visual Culture (2001)Image matters: archive, photography, and the African diaspora in Europe (2012)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Vibrant Matter (2010)Staying with the Trouble (2016)Crafting and collecting cyanotypes: Anna Atkins's Photographs of British Algae: Cyanotype Impressions (2023)Developing Orientalism: Negative/Positive Ecologies ‘in the Field’ of the British Empire, c.1850–1888 (2023)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Sexology’s Photographic Turn: Visualizing Trans Identity in Interwar Germany24 cited
  • 2018Darkroom Material: Race and the Chromogenic Print Process21 cited
  • 2017Joan Fontcuberta: post-photography and the spectral image of saturation20 cited
  • 2019“Impressions of Plants Themselves”: Materializing Eco-Archival Practices with Anna Atkins'sPhotographs of British Algae15 cited
  • 2017Animation and the Powers of Plasticity10 cited
  • 2017Poe, the Portrait, and the Daguerreotype: Poe’s Living Dead and the Visual Arts10 cited
  • 2016Why have the dead come back? The instance of photography1 cited
  • 2017Proustian Developments: The World and Object of Photography1 cited
  • 2016A Photobook of the Shimmer: Pearl Fisheries, Photography, and British Colonialism in South Asia1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work