SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Spectral Imaging and Archival Data in AnalysingMadonna of the RabbitPaintings by Manet and Titian
14 references·7 citing·31 second hop
Spectral Imaging and Archival Data in AnalysingMadonna of the RabbitPaintings by Manet and Titian (2018)Spectral Imaging and Archival Data in Ana…Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Recent developments in spectr…Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt (2017)Macroscale multimodal imaging…Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Reflectance Hyperspectral Ima…Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting (2014)Complementary Standoff Chemic…Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250–900 nm FORS analysis (2013)Non-invasive differentiation …Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)Mapping of egg yolk and anima…Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Advances in multispectral and…Scanning Multispectral IR Reflectography SMIRR: An Advanced Tool for Art Diagnostics (2010)Scanning Multispectral IR Ref…Visible and infrared reflectance imaging spectroscopy of paintings: pigment mapping and improved infrared reflectography (2009)Visible and infrared reflecta…A study of the blue colors used by Telemaco Signorini (1835–1901) (2009)A study of the blue colors us…A scanning device for VIS–NIR multispectral imaging of paintings (2008)A scanning device for VIS–NIR…Chapter 5 Hyperspectral Imaging: A New Technique for the Non-Invasive Study of Artworks (2007)Chapter 5 Hyperspectral Imagi…A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value (2003)A novel hyper-spectral imagin…Infrared Reflectography: a Method for the Examination of Paintings (1968)Infrared Reflectography: a Me…Reflectance Spectroscopy as a Novel Tool for Thickness Measurements of Paint Layers (2023)Reflectance Spectroscopy as a…Imaging Cultural Heritage at Different Scales: Part I, the Micro-Scale (Manufacts) (2023)Imaging Cultural Heritage at …Synchronized Hardware-Registered VIS-NIR Imaging Spectroscopy and 3D Sensing on a Fresco by Botticelli (2021)Synchronized Hardware-Registe…Multisensorial Assessment of Laser Effects on Shellac Applied on Wall Paintings (2021)Multisensorial Assessment of …First combined application of photoacoustic and optical techniques to the study of an historical oil painting (2021)First combined application of…“Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination (2021)“Ecce Homo” by Antonello da M…Integration of multispectral visible-infrared imaging and pointwise X-ray fluorescence data for the analysis of a large canvas painting by Carpaccio (2019)Integration of multispectral …Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis (1998)Modern analytical methods in art and archaeology (2000)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)Use of ZnO nanoparticles for protecting oil paintings on paper support against dirt, fungal attack, and UV aging (2013)Remote spectral imaging with simultaneous extraction of 3D topography for historical wall paintings (2014)Understanding multispectral imaging of cultural heritage: Determining best practice in MSI analysis of historical artefacts (2020)X-ray fluorescence spectrometry in art and archaeology (2000)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Automatic registration and mosaicking of technical images of Old Master paintings (2015)Rembrandt's ‘Saul and David’ (c. 1652): Use of multiple types of smalt evidenced by means of non-destructive imaging (2016)Reflectance imaging spectroscopy in heritage science (2020)Cross-Sections and Chemical Analysis of Paint Samples (1956)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography (2014)Visible and infrared imaging spectroscopy of paintings and improved reflectography (2016)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Insights into the composition of ancient Egyptian red and black inks on papyri achieved by synchrotron-based microanalyses (2020)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Analytical and mathematical methods for revealing hidden details in ancient manuscripts and paintings: A review (2019)The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios (2020)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Joint data treatment for Vis–NIR reflectance imaging spectroscopy and XRF imaging acquired in the Theban Necropolis in Egypt by data fusion and t-SNE (2018)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications (2019)
this work references cited by second hop

References

  • 2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation496 cited
  • 2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts323 cited
  • 2017Recent developments in spectroscopic imaging techniques for historical paintings - A review177 cited
  • 2013Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy139 cited
  • 2003A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value133 cited
  • 1968Infrared Reflectography: a Method for the Examination of Paintings125 cited
  • 2010Scanning Multispectral IR Reflectography SMIRR: An Advanced Tool for Art Diagnostics104 cited
  • 2007Chapter 5 Hyperspectral Imaging: A New Technique for the Non-Invasive Study of Artworks97 cited
  • 2017Macroscale multimodal imaging reveals ancient painting production technology and the vogue in Greco-Roman Egypt69 cited
  • 2014Complementary Standoff Chemical Imaging to Map and Identify Artist Materials in an Early Italian Renaissance Panel Painting68 cited
  • 2009A study of the blue colors used by Telemaco Signorini (1835–1901)60 cited
  • 2013Non-invasive differentiation between natural and synthetic ultramarine blue pigments by means of 250–900 nm FORS analysis49 cited
  • 2008A scanning device for VIS–NIR multispectral imaging of paintings

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

42 cited
  • 2009Visible and infrared reflectance imaging spectroscopy of paintings: pigment mapping and improved infrared reflectography37 cited
  • Cited by

    • 2023Imaging Cultural Heritage at Different Scales: Part I, the Micro-Scale (Manufacts)25 cited
    • 2021“Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination23 cited
    • 2023Reflectance Spectroscopy as a Novel Tool for Thickness Measurements of Paint Layers17 cited
    • 2021First combined application of photoacoustic and optical techniques to the study of an historical oil painting17 cited
    • 2019Integration of multispectral visible-infrared imaging and pointwise X-ray fluorescence data for the analysis of a large canvas painting by Carpaccio14 cited
    • 2021Synchronized Hardware-Registered VIS-NIR Imaging Spectroscopy and 3D Sensing on a Fresco by Botticelli10 cited
    • 2021Multisensorial Assessment of Laser Effects on Shellac Applied on Wall Paintings10 cited