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Creative Processes in the Shaping of a Musical Interpretation: A Study of Nine Professional Musicians
16 references·7 citing·37 second hop
Creative Processes in the Shaping of a Musical Interpretation: A Study of Nine Professional Musicians (2018)Creative Processes in the Shaping of a Mu…New Perspectives on Music and Gesture (2016)New Perspectives on Music and…Musical ImaginationsMultidisciplinary perspectives on creativity, performance and perception (2011)Musical ImaginationsMultidisc…Theories of Creativity (2010)Theories of CreativityThe Cambridge Handbook of Creativity (2010)The Cambridge Handbook of Cre…Why Isn't Creativity More Important to Educational Psychologists? Potentials, Pitfalls, and Future Directions in Creativity Research (2004)Why Isn't Creativity More Imp…"Seeing the Big Picture": Piano Practice as Expert Problem Solving (2003)"Seeing the Big Picture": Pia…Self-regulating Learning Strategies in Instrumental Music Practice (2001)Self-regulating Learning Stra…Research on expert performance and deliberate practice: Implications for the education of amateur musicians and music students. (1997)Research on expert performanc…Text and act: essays on music and performance (1996)Text and act: essays on music…Expression in performance: generativity, perception and semiosis (1995)Expression in performance: ge…Authenticities (1995)AuthenticitiesFlow: The Psychology of Optimal Experience (1991)Flow: The Psychology of Optim…Intelligence, creativity, and their educational implications (1968)Intelligence, creativity, and…Emotion and Meaning in Music (1957)Emotion and Meaning in MusicCreativity and Culture (1953)Creativity and CultureCreativity. (1950)Creativity.Interpretive autonomy at the heart of classical musicians’ learning and well-being: the role of professional education (2025)Interpretive autonomy at the …How drawing practice enhances distress tolerance in university students: the mediating roles of psychological resilience and self-disclosure (2025)How drawing practice enhances…Developing Musical Creativity Through Movement: Navigating the Musical Affordance Landscape (2024)Developing Musical Creativity…Autonomous or controlled interpreters? Model of Werktreue internalization for classical musicians (2024)Autonomous or controlled inte…Music teachers’ self-reported views of creativity in the context of their work (2022)Music teachers’ self-reported…Expert pianists’ practice perspectives: A production and listening study (2021)Expert pianists’ practice per…Measuring the Impacts of Extra-Musical Elements in Guitar Music Playing: A Pilot Study (2020)Measuring the Impacts of Extr…The Basic Writings of Sigmund Freud (1938)Conceptions of Modern Psychiatry (1940)INTOLERANCE OF AMBIGUITY AS AN EMOTIONAL AND PERCEPTUAL PERSONALITY VARIABLE (1949)Creativity, Intelligence, and Personality: A Critical Review of the Scattered Literature (2006)Classroom contexts for creativity (2014)Intelligence, creativity, and cognitive control: The common and differential involvement of executive functions in intelligence and creativity (2014)The nature of human intelligence (1967)Bulletin of the Menninger Clinic (1989)Creative Self-Efficacy: Correlates in Middle and Secondary Students (2006)Toward a broader conception of creativity: A case for "mini-c" creativity. (2007)Creativity (2009)Perception in chess (1973)Frames of Mind: The Theory of Multiple Intelligences (1984)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Taking the U.S. Patent Office Criteria Seriously: A Quantitative Three-Criterion Creativity Definition and Its Implications (2012)The Assessment of Creativity: An Investment-Based Approach (2012)Learning environments that support student creativity: Developing the SCALE (2017)“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)The Schenker Project (2007)Class, Control, and Classical Music (2019)Analysing popular music: theory, method and practice (1982)Emotion recognition based on physiological changes in music listening (2008)Organized sensemaking: A commentary on processes of interpretive work (2012)Value from hedonic experience and engagement. (2006)Mediating Tourist Experiences (2009)Positive Emotions Broaden and Build (2013)Individual music therapy for depression: randomised controlled trial (2011)Music Therapy Modulates Fronto-Temporal Activity in Rest-EEG in Depressed Clients (2012)EEG-neurofeedback for optimising performance. II: Creativity, the performing arts and ecological validity (2013)Can We Teach Children To Think Creatively?* (1972)Incremental effects of reward on creativity. (2001)Assessment of Creativity (2010)A Meta-Analysis of Personality in Scientific and Artistic Creativity (1998)Beyond Big and Little: The Four C Model of Creativity (2009)The Standard Definition of Creativity (2012)Rethinking Giftedness and Gifted Education (2011)STEAM in practice and research: An integrative literature review (2018)
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References

  • 1950Creativity.3,585 cited
  • 2004Why Isn't Creativity More Important to Educational Psychologists? Potentials, Pitfalls, and Future Directions in Creativity Research1,791 cited
  • 2010The Cambridge Handbook of Creativity1,291 cited
  • 1953Creativity and Culture1,065 cited
  • 1957Emotion and Meaning in Music1,026 cited
  • 1991Flow: The Psychology of Optimal Experience1,018 cited
  • 1968Intelligence, creativity, and their educational implications604 cited
  • 2010Theories of Creativity494 cited
  • 1996Text and act: essays on music and performance331 cited
  • 2011Musical ImaginationsMultidisciplinary perspectives on creativity, performance and perception232 cited
  • 2016New Perspectives on Music and Gesture207 cited
  • 2001Self-regulating Learning Strategies in Instrumental Music Practice201 cited
  • 1995Authenticities197 cited
  • 1997Research on expert performance and deliberate practice: Implications for the education of amateur musicians and music students.178 cited
  • 2003"Seeing the Big Picture": Piano Practice as Expert Problem Solving150 cited
  • 1995Expression in performance: generativity, perception and semiosis

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117 cited

Cited by

  • 2022Music teachers’ self-reported views of creativity in the context of their work15 cited
  • 2024Developing Musical Creativity Through Movement: Navigating the Musical Affordance Landscape11 cited
  • 2021Expert pianists’ practice perspectives: A production and listening study9 cited
  • 2024Autonomous or controlled interpreters? Model of Werktreue internalization for classical musicians7 cited
  • 2025Interpretive autonomy at the heart of classical musicians’ learning and well-being: the role of professional education6 cited
  • 2020Measuring the Impacts of Extra-Musical Elements in Guitar Music Playing: A Pilot Study4 cited
  • 2025How drawing practice enhances distress tolerance in university students: the mediating roles of psychological resilience and self-disclosure3 cited