SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Effects of accurate and inaccurate visual feedback on the tuning accuracy of high school and college trombonists
16 references·6 citing·30 second hop
Effects of accurate and inaccurate visual feedback on the tuning accuracy of high school and college trombonists (2018)Effects of accurate and inaccurate visual…Effects of Stimulus Octave and Timbre on the Tuning Accuracy of Advanced College Instrumentalists (2016)Effects of Stimulus Octave an…Relationships Between College-level Wind Instrumentalists’ Achievement in Intonation Perception and Performance (2011)Relationships Between College…Instrumental Music Education: Teaching with the Musical and Practical in Harmony (2010)Instrumental Music Education:…Effects of Stimulus Octave and Timbre on the Tuning Accuracy of Secondary School Instrumentalists (2010)Effects of Stimulus Octave an…G*Power 3: A flexible statistical power analysis program for the social, behavioral, and biomedical sciences (2007)G*Power 3: A flexible statist…Intonation (2002)IntonationEffect of Melodic Context, Tuning Behaviors, and Experience on the Intonation Accuracy of Wind Players (2000)Effect of Melodic Context, Tu…An Examination of the Intonation Tendencies of Wind Instrumentalists Based on Their Performance of Selected Harmonic Musical Intervals (1998)An Examination of the Intonat…The Role of Visual and Auditory Feedback during the Sight-Reading of Music (1995)The Role of Visual and Audito…Effect of Knowledge of Directional Mistunings on the Tuning Accuracy of Beginning and Intermediate Wind Players (1995)Effect of Knowledge of Direct…Missouri Journal of Research in Music Education, 1989-1994. (1994)Missouri Journal of Research …Effects of Timbre on College Woodwind Players' Intonational Performance and Perception (1992)Effects of Timbre on College …Real-time Visual Feedback in the Development of Vocal Pitch Accuracy in Singing (1989)Real-time Visual Feedback in …Intonational Performance and Perception of Ascending Scales (1978)Intonational Performance and …Beat Elimination as a Means of Teaching Intonation to Beginning Wind Instrumentalists (1972)Beat Elimination as a Means o…Comparison of Solo and Ensemble Performances with Reference to Pythagorean, Just, and Equi-Tempered Intonations (1960)Comparison of Solo and Ensemb…Design and Validation of Software for the Training and Automatic Evaluation of Music Intonation on Non-Fixed Pitch Instruments for Novice Students (2023)Design and Validation of Soft…The Effect of Register, Direction, and Magnitude on Musicians’ Evaluations of Chamber Ensemble Intonation: A Within-Study Comparison for Analysis of Repeated Measures (2021)The Effect of Register, Direc…Research to Resource: Evidence-Based Strategies for Improving Wind Intonation (2020)Research to Resource: Evidenc…Effects of Tonic Drone Accompaniments on the Intonation of Collegiate Wind Instrumentalists (2020)Effects of Tonic Drone Accomp…Effects of Dark and Bright Timbral Instructions on the Production of Pitch and Timbre (2020)Effects of Dark and Bright Ti…Effects of Pitch Source on Pitch-Matching and Intonation Accuracy of Collegiate Singers (2019)Effects of Pitch Source on Pi…A Schema Theory of How Children Learn to Sing in Tune (1985)The Assessment of Singing (1994)Mapping Music Education Research in the UK (2004)Development of real‐time visual feedback assistance in singing training: a review (2006)A Pilot Study of Performance Practices of Twentieth-Century Musicians (1974)The Effects of Visual Stimulus and Instruction on Intonation Accuracy of String Instrumentalists (1980)Effects of Tone-Quality Conditions on Perception and Performance of Pitch among Selected Wind Instrumentalists (2000)The Relationship of Pitch-Matching and Pitch-Discrimination Abilities of Preschool and Fourth-Grade Students (1983)Applications of Research in Music Behavior (1988)Dual brain stimulation enhances interpersonal learning through spontaneous movement synchrony (2020)Design and Analysis: A Researcher's Handbook (1975)GPOWER: A general power analysis program (1996)Design and Analysis: A Researcher's Handbook (2005)Power failure: why small sample size undermines the reliability of neuroscience (2013)ESG and financial performance: aggregated evidence from more than 2000 empirical studies (2015)Effect size guidelines for individual differences researchers (2016)The Eye-Hand Span-An Approach to the Study of Sight Reading (1974)Cognition and Motor Execution in Piano Sight-Reading: A Review of Literature (2005)An exploratory study of the role of performance feedback and musical imagery in piano playing (2007)Learning to Sing in Tune: Does Real-Time Visual Feedback Help? (2008)String Instrument Intonation in Upper and Lower Registers: The Effects of Accompaniment (1986)The Effect of Context on Sightsinging. (1990)Wind Instrumentalists' Intonational Performance of Selected Musical Intervals (1985)Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)Behavioral Characteristics and Instructional Patterns of Selected Music Teachers (1995)Criteria-Specific Rating Scales in the Evaluation of High School Instrumental Performance (1997)Comparison of the National Standards for Music Education and Elementary Music Specialists' Use of Class Time (2002)Music Education Majors’ Confidence in Teaching Improvisation (2012)Effects of Internal and External Focus of Attention on Novices’ Rehearsal Evaluations (2014)An Observational Study of Score Study Practices Among Undergraduate Instrumental Music Education Majors (2017)
this work references cited by second hop

References

  • 2007G*Power 3: A flexible statistical power analysis program for the social, behavioral, and biomedical sciences65,813 cited
  • 1994Missouri Journal of Research in Music Education, 1989-1994.100 cited
  • 1989Real-time Visual Feedback in the Development of Vocal Pitch Accuracy in Singing85 cited
  • 1978Intonational Performance and Perception of Ascending Scales71 cited
  • 1995The Role of Visual and Auditory Feedback during the Sight-Reading of Music64 cited
  • 1960Comparison of Solo and Ensemble Performances with Reference to Pythagorean, Just, and Equi-Tempered Intonations50 cited
  • 2000Effect of Melodic Context, Tuning Behaviors, and Experience on the Intonation Accuracy of Wind Players39 cited
  • 1998An Examination of the Intonation Tendencies of Wind Instrumentalists Based on Their Performance of Selected Harmonic Musical Intervals37 cited
  • 2010Instrumental Music Education: Teaching with the Musical and Practical in Harmony37 cited
  • 1992Effects of Timbre on College Woodwind Players' Intonational Performance and Perception36 cited
  • 1995Effect of Knowledge of Directional Mistunings on the Tuning Accuracy of Beginning and Intermediate Wind Players30 cited
  • 2010Effects of Stimulus Octave and Timbre on the Tuning Accuracy of Secondary School Instrumentalists24 cited
  • 2002Intonation24 cited
  • 2011Relationships Between College-level Wind Instrumentalists’ Achievement in Intonation Perception and Performance

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

18 cited
  • 1972Beat Elimination as a Means of Teaching Intonation to Beginning Wind Instrumentalists16 cited
  • 2016Effects of Stimulus Octave and Timbre on the Tuning Accuracy of Advanced College Instrumentalists13 cited
  • Cited by

    • 2019Effects of Pitch Source on Pitch-Matching and Intonation Accuracy of Collegiate Singers9 cited
    • 2020Effects of Dark and Bright Timbral Instructions on the Production of Pitch and Timbre6 cited
    • 2023Design and Validation of Software for the Training and Automatic Evaluation of Music Intonation on Non-Fixed Pitch Instruments for Novice Students5 cited
    • 2020Research to Resource: Evidence-Based Strategies for Improving Wind Intonation5 cited
    • 2020Effects of Tonic Drone Accompaniments on the Intonation of Collegiate Wind Instrumentalists5 cited
    • 2021The Effect of Register, Direction, and Magnitude on Musicians’ Evaluations of Chamber Ensemble Intonation: A Within-Study Comparison for Analysis of Repeated Measures3 cited