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Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive
16 references·0 citing·44 second hop
Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive (2018)Kapturing Kung Fu: Future Proofing the Ho…Intangible Cultural Heritage in China Today: Policy and Practice in the Early Twenty-First Century (2016)Intangible Cultural Heritage …Motion Capture in Performance: An Introduction (2015)Motion Capture in Performance…‘As Real As It Gets!’ Producing hyperviolence in mixed martial arts (2014)‘As Real As It Gets!’ Produci…YouTube and the social archiving of intangible heritage (2013)YouTube and the social archiv…Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions (2012)Music as Intangible Cultural …Writing for the Body (2011)Writing for the BodyThe Digital Multitude (2010)The Digital MultitudeTending the Garden or Harvesting the Fields: Digital Preservation and the UNESCO Charter on the Preservation of the Digital Heritage (2007)Tending the Garden or Harvest…The Matrix trilogy: cyberpunk reloaded (2005)The Matrix trilogy: cyberpunk…Chinese Martial Arts Training Manuals: A Historical Survey (2005)Chinese Martial Arts Training…Safeguarding Intangible Cultural Heritage in the 2003 UNESCO Convention: a critical appraisal (2004)Safeguarding Intangible Cultu…Virtual Reality and Performance (2002)Virtual Reality and Performan…The Ghost in the Machine: Merce Cunningham and Bill T. Jones (2002)The Ghost in the Machine: Mer…Popular Ghosts : The Haunted Spaces of Everyday Culture (2002)Popular Ghosts : The Haunted …Dance and Media Technologies (2002)Dance and Media TechnologiesInternational Journal of Intangible Heritage (1970)International Journal of Inta…Techniques of the body ∗ (1973)Immersed in Technology: Art and Virtual Environments (1996)Site-Specific Art: Performance, Place and Documentation (2000)The Movement of Interpretation: Conceptualizing Performative Encounters with Multimediated Performance (2006)Ersatz dancing: Negotiating the live and mediated in digital performance practice (2007)Dance, Interactive Technology, and the Device Paradigm (2013)Intangible Heritage as Metacultural Production1 (2004)Cultural Research and Intangible Heritage (2009)Intangible Heritage as Metacultural Production (2014)Endangerment-driven heritage volunteering: democratisation or ‘Changeless Change’ (2017)The Convention for the Safeguarding of the Intangible Cultural Heritage (2018)The Digital Preservation of Intangible Cultural Heritage in China: A Survey (2019)Languages of Art (1968)Orality and Literacy (2003)Stage fright: modernism, anti-theatricality, and drama (2003)Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition (2011)The Dance without the Dancer (2013)Capture, hold, release: an ontology of motion capture (2015)The Order of Things: An Archaeology of the Human Sciences. (1971)The Archive and the Repertoire (2003)Uses of Heritage (2006)Utility of Digital Technologies for the Sustainability of Intangible Cultural Heritage (ICH) in Korea (2019)The German Far-right on YouTube: An Analysis of User Overlap and User Comments (2020)Staged Authenticity: Arrangements of Social Space in Tourist Settings (1973)Rethinking authenticity in tourism experience (1999)The Work of Art in the Age of Mechanical Reproduction (2007)Instituting Reality in Martial Arts Practice (2014)Deconstructing martial arts (2019)The Invention of Martial Arts (2020)Tradition and Divergence in Southwestern China: Kam Big Song Singing in the Village and on Stage (2012)Safeguarding Intangible Cultural Heritage in the Republic of Macedonia (2016)Promoting majority culture and excluding external ethnic influences: China’s strategy for the UNESCO ‘intangible’ cultural heritage list (2019)Safeguarding intangible cultural heritage: key factors in implementing the 2003 convention. (2007)Some Reflections on Heritage and Archaeology in the Anthropocene (2011)Practices and challenges of cultural heritage conservation in historical and religious heritage sites: evidence from North Shoa Zone, Amhara Region, Ethiopia (2022)Psychics, crystals, candles and cauldrons: alternative spiritualities and the question of their esoteric economies (2013)Animating the Instant (2014)Toward a Critical Hauntology: Bare Afterlife and the Ghosts of Ba Chúc (2015)Digital Dance Literacy: an integrated dance technology curriculum pilot project1 (2008)ChoreoSave: A digital dance preservation system prototype (2011)Two decades of digital pedagogies in the performing arts: a comparative survey of theatre, performance, and dance (2018)Politics of tangibility, intangibility, and place in the making of a European cultural heritage in EU heritage policy (2016)Conceptualising the subjective authenticity of intangible cultural heritage (2018)Building a bridge: opportunities and challenges for intangible cultural heritage at the intersection of institutions, civic society, and migrant communities (2021)
this work references cited by second hop

References

  • 2004Safeguarding Intangible Cultural Heritage in the 2003 UNESCO Convention: a critical appraisal458 cited
  • 1970International Journal of Intangible Heritage201 cited
  • 2013YouTube and the social archiving of intangible heritage72 cited
  • 2012Music as Intangible Cultural Heritage: Policy, Ideology, and Practice in the Preservation of East Asian Traditions69 cited
  • 2002Dance and Media Technologies65 cited
  • 2002Popular Ghosts : The Haunted Spaces of Everyday Culture63 cited
  • 2007Tending the Garden or Harvesting the Fields: Digital Preservation and the UNESCO Charter on the Preservation of the Digital Heritage46 cited
  • 2014‘As Real As It Gets!’ Producing hyperviolence in mixed martial arts44 cited
  • 2011Writing for the Body42 cited
  • 2002Virtual Reality and Performance36 cited
  • 2005The Matrix trilogy: cyberpunk reloaded35 cited
  • 2005Chinese Martial Arts Training Manuals: A Historical Survey30 cited
  • 2016Intangible Cultural Heritage in China Today: Policy and Practice in the Early Twenty-First Century27 cited
  • 2010The Digital Multitude19 cited
  • 2002The Ghost in the Machine: Merce Cunningham and Bill T. Jones18 cited

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  • 2015Motion Capture in Performance: An Introduction17 cited
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