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Ritual roles of “African nights” DJs in Lisbon
12 references·2 citing·50 second hop
Ritual roles of “African nights” DJs in Lisbon (2018)Ritual roles of “African nights” DJs in L…Introduction to Weekend Societies: EDM Festivals and Event-Cultures (2015)Introduction to Weekend Socie…Ethnic Boundary Making (2013)Ethnic Boundary MakingIdentidade e Estilo em Lisboa: Kuduro, juventude e imigração africana (2012)Identidade e Estilo em Lisboa…The DIY Careers of Techno and Drum ‘n’ Bass DJs in Vienna (2011)The DIY Careers of Techno and…The Myth of the Multitude, or, Who's Afraid of the Crowd? (2010)The Myth of the Multitude, or…DJ Culture in the Commercial Sydney Dance Music Scene (2009)DJ Culture in the Commercial …Intonations (2008)IntonationsElectronic Dance Music Culture and Religion: An Overview1 (2006)Electronic Dance Music Cultur…Rave Culture and Religion (2004)Rave Culture and ReligionEthnicity without groups (2002)Ethnicity without groupsEmotional Dimensions of Ritual Music among the Kotas, a South Indian Tribe (2001)Emotional Dimensions of Ritua…Rebellions of Everynight Life (1997)Rebellions of Everynight LifeBodies That Cannot Listen (2019)Bodies That Cannot ListenAfrican Nightclubs of Lisbon and Madrid as Spaces of Cultural Resistance (2019)African Nightclubs of Lisbon …Dreamworld and Catastrophe (2000)Publics and Politics (2010)Time and the other: how anthropology makes its object (2015)Sounds of Democracy: Performance, Protest, and Political Subjectivity (2018)The Anthropology of Populism: Beyond the Liberal Settlement (2019)Club cultures: music, media and subcultural capital (1996)Clubbing : dancing, ecstasy and vitality (1999)Last Night a DJ Saved My Life: The History of the Disc Jockey (1999)Competitive Remix Practice and Networks of Support in Electronic Dance Music Economies (2004)EDM Pop: A Soft Shell Formation in a New Festival Economy (2017)Into the groove: experiencing difference in the Perth nightclub scene of the 1980s (2018)The Social construction of emotions (1986)Unnatural Emotions: Everyday Sentiments on a Micronesian Atoll and Their Challenge to Western Theory (1988)Veiled Sentiments: Honor and Poetry in a Bedouin Society (1988)Chapter 7 Music in Urban Space (2009)Dancing in Opposition: Muchongoyo , Emotion, and the Politics of Performance in Southeastern Zimbabwe (2010)How People Who Are Dying or Mourning Engage with the Arts (2012)Distinction: A Social Critique of the Judgement of Taste. (1985)The Forms of Capital (2002)What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music (2012)DJ Mini and Montreal’s Vulgar Dance Music (2016)Forty-Seven DJs, Four Women: Meritocracy, Talent, and Postfeminist Politics (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)The Rites Of Passage (1961)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Subculture: The Meaning of Style (1995)The Role of Popular Music in the Construction of Alternative Spiritual Identities and Ideologies (2006)Geographies of Privilege (2013)Psychedelics, Sociality, and Human Evolution (2021)Studies in Ethnomethodology. (1968)From Mobilization to Revolution (1979)Lectures on Conversation (1995)Ethnic and Cultural Diversity by Country* (2003)The Making and Unmaking of Ethnic Boundaries: A Multilevel Process Theory (2008)Why Do Ethnic Groups Rebel? New Data and Analysis (2009)Outline of a Theory of Practice (1977)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Black Atlantic: Modernity and Double Consciousness (1994)Exotic Identities: Dance, Difference, and Self-fashioning (2011)Should a feminist dance tango? Some reflections on the experience and politics of passion 1 (2015)!Hip Hop, Revolución! Nationalizing Rap in Cuba (2017)The Epistemic Consumption Object and Postsocial Consumption: Expanding Consumer‐Object Theory in Consumer Research (2006)An interdisciplinary review of resistance to consumption, some marketing interpretations, and future research suggestions (2010)Designing experiences in the age of human transformation: An analysis of Burning Man (2021)Transecting Security and Space in Maputo (2010)DANCEHALL POLITICS: MOBILITY, SEXUALITY, AND SPECTACLES OF RACIAL RESPECTABILITY IN LATE COLONIAL TANGANYIKA, 1930s–1961 (2011)Housing middle-classness: formality and the making of distinction in Luanda (2020)A plea for the ‘de-migranticization' of research on migration and integration (2016)Trump's electoral speeches and his appeal to the American white working class (2017)Addressing Recognition Gaps: Destigmatization and the Reduction of Inequality (2018)
this work references cited by second hop

References

  • 2002Ethnicity without groups2,628 cited
  • 2013Ethnic Boundary Making959 cited
  • 2010The Myth of the Multitude, or, Who's Afraid of the Crowd?198 cited
  • 2008Intonations148 cited
  • 2004Rave Culture and Religion134 cited
  • 2006Electronic Dance Music Culture and Religion: An Overview167 cited
  • 1997Rebellions of Everynight Life51 cited
  • 2001Emotional Dimensions of Ritual Music among the Kotas, a South Indian Tribe40 cited
  • 2011The DIY Careers of Techno and Drum ‘n’ Bass DJs in Vienna33 cited
  • 2009DJ Culture in the Commercial Sydney Dance Music Scene26 cited
  • 2015Introduction to Weekend Societies: EDM Festivals and Event-Cultures16 cited
  • 2012Identidade e Estilo em Lisboa: Kuduro, juventude e imigração africana12 cited

Cited by

  • 2019African Nightclubs of Lisbon and Madrid as Spaces of Cultural Resistance3 cited
  • 2019Bodies That Cannot Listen3 cited

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