SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

Kirsten Dyck, Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music · Study

ArticleShelves

ArticleKirsten Dyck, Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music

Julian Schaap2018

OA

Articlehybrid2018

Kirsten Dyck, Reichsrock: The International Web of White-Power and Neo-Nazi Hate Music

2 citations·0/0 files stored·Volume !

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Musicology and Musical Analysis German legal, social, and political studies

Abstract

In Reichsrock, ethnomusicologist Kirsten Dyck ( James Madison

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 2 citations exist upstream.

References

2016Just around Midnight 2008‘STORMFRONT IS LIKE A SECOND HOME TO ME’2006Understanding Music in Movements: The White Power Music Scene 2008White Power Music and the Mobilization of Racist Social Movements 2013Reception Theory 2015Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013

Related works

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

2019“Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural contentarticle · 2 shared references 2020“You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configurationarticle · 2 shared references 2020The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formationchapter · 2 shared references 2021Black Rap, White Rock: Non‐Declarative Culture and the Racialization of Cultural Categoriesarticle · 2 shared references 2018Trendy Fascism: White Power Music and the Future of Democracy. By Nancy S. Love. Albany, NY: State University of New York, 2016.other · 2 shared references 2024The Origins of White Power Music: The Co-Opting of Punk and Oi! By a Parasitical Social Movementarticle · 2 shared references

Details

Year2018

Typearticle

Published2018-01-01

VenueVolume !

ISSN-L1634-5495

Languageen

Citations2

Files0 public / 0

ShelfMusic History and Culture

Identifiers

doi10.4000/volume.5636

openalex_workW2801297729

Links

Imported from OpenAlex (CC0) — nothing here is generated.