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Danza contemporánea y sincronía musicovisual en el videoclip musical actual
16 references·0 citing·39 second hop
Danza contemporánea y sincronía musicovisual en el videoclip musical actual (2018)Danza contemporánea y sincronía musicovis…The Content Analysis Guidebook (2017)The Content Analysis GuidebookUnruly media: YouTube, music video, and the new digital cinema (2014)Unruly media: YouTube, music …Creation and erasure: music video as a signaletic form of practice (2012)Creation and erasure: music v…Is music becoming more visual? Online video content in the music industry (2011)Is music becoming more visual…Dance, language and the brain (2010)Dance, language and the brainLiveness: performance in a mediatized culture (2008)Liveness: performance in a me…Dance on Screen (2004)Dance on ScreenLenguaje del videoclip (2002)Lenguaje del videoclipBodily Knowledge: Epistemological Reflections on Dance (2002)Bodily Knowledge: Epistemolog…The 'shared manifold' hypothesis. (2001)The 'shared manifold' hypothe…Neurophysiological mechanisms underlying the understanding and imitation of action (2001)Neurophysiological mechanisms…“Presence”in Absentia (1997)“Presence”in AbsentiaAction recognition in the premotor cortex (1996)Action recognition in the pre…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Popular Music: Emotional Use and Management (1990)Popular Music: Emotional Use …Music for pleasure: essays in the sociology of pop (1989)Music for pleasure: essays in…The expression of the emotions in man and animals. (1872)Phenomenology of Perception (1982)A unifying view of the basis of social cognition (2004)The Functional Architecture of Human Empathy (2004)The Mirror Neuron System (2009)Unmarked: The Politics of Performance (1994)Marina Abramović'sSeven Easy Pieces:Critical Documentation Strategies for Preserving Art's History (2008)“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence (2011)Between narratives and lists: performing digital intangible heritage through global media (2013)Perception of the speech code. (1967)Understanding motor events: a neurophysiological study (1992)Premotor cortex and the recognition of motor actions (1996)Empathy: Its ultimate and proximate bases (2002)THE MIRROR-NEURON SYSTEM (2004)The Tacit Dimension (1997)A Nonverbal Language for Imagining and Learning: Dance Education in K–12 Curriculum (2008)Sense of Motion, Senses of Self: Becoming a Dancer (2008)The Conflict of the Faculties. Perspectives on Artistic Research and Academia (2012)Distinction: A Social Critique of the Judgement of Taste* (2018)Does the chimpanzee have a theory of mind? (1978)The feeling of what happens: body and emotion in the making of consciousness (2000)The Perceived Onset Time of Self- and Other-Generated Actions (2003)Crossmodal and action-specific: neuroimaging the human mirror neuron system (2013)From Neurons to Social Beings: Short Review of the Mirror Neuron System Research and Its Socio-Psychological and Psychiatric Implications (2018)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Mediatization of Society (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Qualitative Content Analysis (2008)The qualitative content analysis process (2008)How to plan and perform a qualitative study using content analysis (2016)The Cambridge History of American Music (1998)Time–Space (and Digital) Compression: Software Formats, Musical Networks, and the Reorganisation of the Music Industry (2001)From creator to data: the post-record music industry and the digital conglomerates (2018)Subscribing to Sex Edutainment (2016)Janelle Monáe'sDirty ComputerMusic Video/Film: A Collective Reading (2019)Anderson .Paak, Kendrick Lamar, and Colin Tilley “Get up in Our Rearview Mirror”: Collectively Analyzing the “Tints” Music Video (2021)
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References

  • 2017The Content Analysis Guidebook9,228 cited
  • 1996Action recognition in the premotor cortex4,970 cited
  • 2001Neurophysiological mechanisms underlying the understanding and imitation of action3,304 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 1989Music for pleasure: essays in the sociology of pop311 cited
  • 1997“Presence”in Absentia180 cited
  • 2014Unruly media: YouTube, music video, and the new digital cinema177 cited
  • 2002Bodily Knowledge: Epistemological Reflections on Dance141 cited
  • 2001The 'shared manifold' hypothesis.135 cited
  • 2011Is music becoming more visual? Online video content in the music industry53 cited
  • 1990Popular Music: Emotional Use and Management35 cited
  • 2004Dance on Screen35 cited
  • 2010Dance, language and the brain23 cited
  • 2002Lenguaje del videoclip20 cited
  • 2012Creation and erasure: music video as a signaletic form of practice9 cited

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