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Dating the Rock Art of Southern Africa
16 references·16 citing·37 second hopsampled
Dating the Rock Art of Southern Africa (1983)Dating the Rock Art of Southern AfricaBelieving and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…Dated Rock Engravings from Wonderwerk Cave, South Africa (1981)Dated Rock Engravings from Wo…The Later Prehistory of Eastern and Southern Africa (1979)The Later Prehistory of Easte…Dating and Context of Rock Engravings in Southern Africa (1979)Dating and Context of Rock En…Where Hunters Gathered: A Study of Holocene Stone Age People in the Eastern Cape (1978)Where Hunters Gathered: A Stu…The Evidence for Herding at Boomplaas Cave in the Southern Cape, South Africa (1978)The Evidence for Herding at B…Four Painted Stones from Boomplaas Cave, Oudtshoorn District (1976)Four Painted Stones from Boom…'Art Mobilier' from the Apollo 11 Cave, South West Africa: Africa's Oldest Dated Works of Art (1976)'Art Mobilier' from the Apoll…The Stone Age Industries of the Orange River Scheme and South Africa (1975)The Stone Age Industries of t…The Stone Age Archaeology of Southern Africa (1975)The Stone Age Archaeology of …Superpositioning in a Sample of Rock-Paintings from the Barkly East District (1974)Superpositioning in a Sample …The Syntax and Function of the Giant's Castle Rock-Paintings (1972)The Syntax and Function of th…The Hunter and His Art: A Survey of Rock Art in Southern Africa (1971)The Hunter and His Art: A Sur…The Prehistoric Sequence at Nakapapula Rockshelter, Zambia (1970)The Prehistoric Sequence at N…Rock Art of Southern Africa. (1970)Rock Art of Southern Africa.The Rock Art of South Africa (1964)The Rock Art of South AfricaHistorical Dimensions of Rock Art: Perspectives from ‘Peripheries’ (2024)Historical Dimensions of Rock…A matter of diversity? Identifying past hunter-gatherer aggregation camps through data driven analyses of rock art sites (2020)A matter of diversity? Identi…A ritual assemblage from the third millennium BC in the Namib Desert and its implications for the archaeology and rock art of shamanic performance (2018)A ritual assemblage from the …Paint and Earth: Constructing Hunter-Gatherer History in the uKhahlamba-Drakensberg, South Africa (2013)Paint and Earth: Constructing…Roots and revolutions: a critical overview of early and late San rock art research (2006)Roots and revolutions: a crit…The wounded roan: a contribution to the relation of hunting and trance in southern African rock art (2005)The wounded roan: a contribut…Indigenous images of a colonial exotic: imaginings from Bushman southern Africa (2003)Indigenous images of a coloni…Painted Slabs from Steenbokfontein Cave: The Oldest Known Parietal Art in Southern Africa (1999)Painted Slabs from Steenbokfo…Thaba Sione (1996)Thaba SioneThe Pleistocene Later Stone Age south of the Limpopo River (1993)The Pleistocene Later Stone A…Colonial Era Paintings in the Rock Art of the South-Western Cape: Some Preliminary Observations (1993)Colonial Era Paintings in the…The Middle Stone Age south of the Limpopo River (1992)The Middle Stone Age south of…On concepts expressed in southern African rock art (1990)On concepts expressed in sout…The feasibility of dating rock paintings from Brandberg, Namibia, with 14C (1988)The feasibility of dating roc…Engraved in Place and Time: A Review of Variability in the Rock Art of the Northern Cape and Karoo (1988)Engraved in Place and Time: A…Structure and Meaning in the Prehistoric Art of Zimbabwe (1987)Structure and Meaning in the …Wilton: An Assessment after Fifty Years (1972)Ethnography and Iconography: Aspects of Southern San Thought and Art (1980)On a timescale for the past million years of human history in central South Africa (2006)Late Pleistocene and Holocene mammal extinctions on continental Africa (2013)Style and Social Information in Kalahari San Projectile Points (1983)Ancestors: The hard evidence (1986)Genetic and Fossil Evidence for the Origin of Modern Humans (1988)Archeology and the evolution of human behavior (2000)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)The Origin of Modern Human Behavior (2003)The !Kung San: Men, Women and Work in a Foraging Society. (1981)The Reaction against Analogy (1985)The Emergence of Ornaments and Art: An Archaeological Perspective on the Origins of “Behavioral Modernity” (2007)Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa (2012)Specimens of Bushman Folklore (1912)The mountain Bushmen of Basutoland (1962)The art of prehistoric man in Western Europe (1968)Eland Hunting Rituals among Northern and Southern San Groups: Striking Similarities (1978)Modelling the Production and Consumption of Rock Art (1995)Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research (1998)Matière et art mobilier dans la préhistoire nord-africaine et saharienne (1966)Evolution, revolution or saltation scenario for the emergence of modern cultures? (2011)The prehistory of Southern Africa (1959)Background to Evolution in Africa (1970)Environment and subsistence of prehistoric man in the southern Cape Province, South Africa (1974)Origins of the modern mind: three stages in the evolution of culture and cognition (1992)Blombos Cave, Southern Cape, South Africa: Preliminary Report on the 1992–1999 Excavations of the Middle Stone Age Levels (2001)Excavations at Boomplaas cave ‐ a sequence through the upper Pleistocene and Holocene in South Africa (1979)Historical archaeology (2007)Invisible herders? The archaeology of Khoekhoe pastoralists (2008)Two Late Pleistocene-Holocene Archaeological Depositories from the Southern Cape, South Africa (1995)Additional evidence for bone technology in the southern African Middle Stone Age (2006)Mechanical Properties of Plant Underground Storage Organs and Implications for Dietary Models of Early Hominins (2008)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)The Human Symbolic Revolution: A Darwinian Account (1995)New Linguistic Evidence and ‘The Bantu Expansion’ (1995)Bantu expansion shows that habitat alters the route and pace of human dispersals (2015)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 1975The Stone Age Archaeology of Southern Africa287 cited
  • 1979The Later Prehistory of Eastern and Southern Africa242 cited
  • 1976'Art Mobilier' from the Apollo 11 Cave, South West Africa: Africa's Oldest Dated Works of Art206 cited
  • 1978Where Hunters Gathered: A Study of Holocene Stone Age People in the Eastern Cape107 cited
  • 1978The Evidence for Herding at Boomplaas Cave in the Southern Cape, South Africa102 cited
  • 1981Dated Rock Engravings from Wonderwerk Cave, South Africa99 cited
  • 1972The Syntax and Function of the Giant's Castle Rock-Paintings89 cited
  • 1979Dating and Context of Rock Engravings in Southern Africa89 cited
  • 1964The Rock Art of South Africa80 cited
  • 1975The Stone Age Industries of the Orange River Scheme and South Africa79 cited
  • 1974Superpositioning in a Sample of Rock-Paintings from the Barkly East District73 cited
  • 1971The Hunter and His Art: A Survey of Rock Art in Southern Africa53 cited
  • 1970Rock Art of Southern Africa.52 cited
  • 1976Four Painted Stones from Boomplaas Cave, Oudtshoorn District42 cited

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  • 1970The Prehistoric Sequence at Nakapapula Rockshelter, Zambia38 cited
  • Cited by

    • 1993The Pleistocene Later Stone Age south of the Limpopo River152 cited
    • 1992The Middle Stone Age south of the Limpopo River127 cited
    • 2003Indigenous images of a colonial exotic: imaginings from Bushman southern Africa37 cited
    • 1996Thaba Sione33 cited
    • 1988Engraved in Place and Time: A Review of Variability in the Rock Art of the Northern Cape and Karoo32 cited
    • 1999Painted Slabs from Steenbokfontein Cave: The Oldest Known Parietal Art in Southern Africa30 cited
    • 2005The wounded roan: a contribution to the relation of hunting and trance in southern African rock art22 cited
    • 1993Colonial Era Paintings in the Rock Art of the South-Western Cape: Some Preliminary Observations12 cited
    • 2018A ritual assemblage from the third millennium BC in the Namib Desert and its implications for the archaeology and rock art of shamanic performance11 cited
    • 1988The feasibility of dating rock paintings from Brandberg, Namibia, with 14C9 cited
    • 2013Paint and Earth: Constructing Hunter-Gatherer History in the uKhahlamba-Drakensberg, South Africa9 cited
    • 2006Roots and revolutions: a critical overview of early and late San rock art research9 cited
    • 1990On concepts expressed in southern African rock art7 cited
    • 2020A matter of diversity? Identifying past hunter-gatherer aggregation camps through data driven analyses of rock art sites5 cited
    • 1987Structure and Meaning in the Prehistoric Art of Zimbabwe3 cited
    • 2024Historical Dimensions of Rock Art: Perspectives from ‘Peripheries’2 cited