Ceylan's Winter Sleep: From Ambiguity to Nothingness

Aslı Daldal

5 citations0/0 files storedCINEJ Cinema Journal

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Cinema History and Criticism Cinema and Media Studies Ethics, Aesthetics, and Art

Abstract

Nuri Bilge Ceylan is a puzzling filmmaker who started his career as a photographer and initially made films with a “photographic” spirit. But from his first films known as the Trilogy of Province to his award winning latest feature Winter Sleep, Ceylan has changed drastically. Once a modest artist refusing to give interviews, Ceylan has become a regular “red carpet” figure. So this essay will analyze Ceylan’s Winter Sleep from a critical theoretical perspective and try to underline the changes in his cinematography as well as philosophical orientations since his Trilogy of Province. The main points of argument will focus on his shift from an affirmative politics of “ambiguity” towards a dark postmodern “nothingness”.

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1991Postmodernism, or, The cultural logic of late capitalism 1992Post-Modernism and the Social Sciences 1996Postmodern Theory. Critical Interrogations 1992Postmodernism and the Social Sciences 1993Postmodernism, or, the Cultural Logic of Late Capitalism.1986Postmodernism and 'The Other Side'2014New Cinema, New Media: Reinventing Turkish Cinema 1969Pasolini on Pasolini

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