The Cambridge Companion to Raphael

Abstract

Introduction Marcia B. Hall Part I. Before Rome: 1. Young Raphael and the practice of painting in Renaissance Italy Jeryldene M. Wood 2. From the Court of Urbino to the Curia and Rome: Raphael and his patrons 1500-1508 Sheryl E. Reiss Part II. Rome: 3. The contested city: urban form in early sixteenth-century Rome Linda Pellecchia 4. The Vatican Stanze Ingrid Rowland 5. One role, two sitters, one artist: Raphael's papal portraits Joanna Woods-Marsden 6. The competition between Raphael and Michelangelo and Sebastiano's role in it Constanza Barbieri Part III. Raphael and his Successors: 7. Raphael's workshop and the development of a managerial style Bette Talvacchia 8. Raphael's multiples Patricia Emison 9. Raphael drawings, pro-contra Linda Wolk-Simon Part IV. The Assessment of History: 10. Classicism, Mannerism, and the Relieflike style Marcia B. Hall 11. French identity in the realm of Raphael Carl Goldstein 12. Raphael's European fame in the seventeenth and eighteenth centuries Giovanna Perini 13. Restoring Raphael Cathleen Hoeniger.

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