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Time and Space: Dating and Spatial Considerations in Rock Art Research
0 references·16 citing·52 second hop
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  • 2008The revolution that didn't arrive: A review of Pleistocene Sahul133 cited
  • 1996Birth of the Rainbow Serpent in Arnhem Land rock art and oral history76 cited
  • 2012Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain)61 cited
  • 1995Arnhem Land prehistory in landscape, stone and paint55 cited
  • 2004Rock art and rock music: Petroglyphs of the south Indian Neolithic47 cited
  • 1997Cupule engravings from Jinmium–Granilpi (northern Australia) and beyond: exploration of a widespread and enigmatic class of rock markings43 cited
  • 1997A history in paint and stone from Rose Cottage Cave, South Africa42 cited
  • 2013Storied landscapes makes us (Modern) Human: Landscape socialisation in the Palaeolithic and consequences for the archaeological record39 cited
  • 199737,000 Years and More in Tropical Australia: Investigating Long-Term Archaeological Trends in Cape York Peninsula34 cited
  • 2012Elemental Analysis of Ochre Outcrops in Southern British Columbia, Canada33 cited
  • 2019Hunter-Gatherers Harvested and Heated Microbial Biogenic Iron Oxides to Produce Rock Art Pigment32 cited
  • 2019Dating painting events through by-products of ochre processing: Borologa 1 Rockshelter, Kimberley, Australia30 cited
  • 2020New Insights into the Rock Art of Anbangbang Gallery, Kakadu National Park

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28 cited
  • 2017About fires and paintings: Three stratigraphic insights on the history of a cave with prehispanic rock art24 cited
  • 2001Emerging trends in rock-art research: hunter–gatherer culture, land and landscape24 cited
  • 2019Rock art, performance and Palaeolithic cognitive systems. The example of the Grand Panel palimpsest of Cussac Cave, Dordogne, France23 cited