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Sixteenth-Century English Fuga: Sequential and Peak-Note Subjects
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Sixteenth-Century English Fuga: Sequential and Peak-Note Subjects (2007)Sixteenth-Century English Fuga: Sequentia…Compositional Artifice in the Music of Henry Purcell (2019)Compositional Artifice in the…Compositional Strategies in Purcell’s Second Three-Part Fantazia (2015)Compositional Strategies in P…"So you want to write a canon?" An historically-informed new approach for the modern theory class (2008)"So you want to write a canon…Composers at Work (1997)Hidden Forms in Palestrina's First Book of Four-Voice Motets (2007)Musical Creativity in Restoration England (2013)A Plaine and Easie Introduction to Practicall Musicke (1938)A Practical Approach to Sixteenth-Century Counterpoint (1987)The origins of pervasive imitation (2015)Probing the Properties of the First Eight Notes of Bach’s Goldberg Ground Further: Revelations for Replicating the Soggetto and Opening Four Canons of BWV 1087 (2017)Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (2018)Leviathan or The Matter, Forme and Power of a Common Wealth Ecclesiasticall and Civill (2012)19. The Second Treatise of Government (2016)An Essay Concerning Humane Understanding (2018)
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  • 2008"So you want to write a canon?" An historically-informed new approach for the modern theory class19 cited
  • 2015Compositional Strategies in Purcell’s Second Three-Part Fantazia15 cited
  • 2019Compositional Artifice in the Music of Henry Purcell2 cited

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