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Sound Sentiment: An Essay on the Musical Emotions
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Sound Sentiment: An Essay on the Musical Emotions (1991)Sound Sentiment: An Essay on the Musical …Disentangling investor sentiment: Mood and household attitudes towards the economy (2018)Disentangling investor sentim…In search of an aesthetic pathway: young children's encounters with drama (2016)In search of an aesthetic pat…Expressive Actions (2016)Expressive ActionsDe gustibus: arguing about taste and why we do it (2016)De gustibus: arguing about ta…Unsettling Melodies: a Cognitive Approach to Incongruent Film Music (2013)Unsettling Melodies: a Cognit…The influence of music on mood and performance while driving (2011)The influence of music on moo…Nineteenth-Century Fortunes of Musical Formalism (2011)Nineteenth-Century Fortunes o…A System for Real-Time Multimodal Analysis of Nonverbal Affective Social Interaction in User-Centric Media (2010)A System for Real-Time Multim…Communicating and accentuating the aesthetic and expressive dimension in choral conducting (2009)Communicating and accentuatin…Emotion recognition based on physiological changes in music listening (2008)Emotion recognition based on …The Art of Doing (Geographies of) Music (2007)The Art of Doing (Geographies…Sound and Meaning in Recordings of Schubert's “Die junge Nonne” (2007)Sound and Meaning in Recordin…Measuring musical interaction: analysing communication in embodied musical behaviour (2007)Measuring musical interaction…The Philosophy of Music: Formalism and Beyond (2004)The Philosophy of Music: Form…The Experience of Emotion in Music (2003)The Experience of Emotion in …Well-Tempered Bagatelles--A Meditation on Listening in Psychoanalysis & Music (1999)Well-Tempered Bagatelles--A M…Emotion and Meaning in Music (1957)Noise: The Political Economy of Music (1986)Feminine Endings: Music, Gender, and Sexuality (1992)Philosophy of Music (2011)A Deleuzian reimagining of Susanne Langer's philosophy: becoming-feeling in music education (2017)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)The Tacit Dimension (1997)3.2. MARXISM AND LITERATURE (2006)Qualitative methods: are you enchanted or are you alienated? (2007)The Ties That Bind: Towards Geographies of Intimacy (2008)How is space made in sound? Spatial mediation, critical phenomenology and the political agency of sound (2015)The Body in the Mind (1987)Critique of Judgment (1994)Kritik der reinen Vernunft (1998)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Music Criticism in Norway (2019)Stop the Press? The Changing Media of Music Criticism (2019)Handbook of Emotions (1993)Compensatory control in the regulation of human performance under stress and high workload: A cognitive-energetical framework (1997)Music in Everyday Life (2000)Background music as a risk factor for distraction among young-novice drivers (2013)Affective Automotive User Interfaces–Reviewing the State of Driver Affect Research and Emotion Regulation in the Car (2021)Music mood and human emotion recognition based on physiological signals: a systematic review (2021)A circumplex model of affect. (1980)Bodily expression of emotion (1998)Analyzing Social Interactions: The Promises and Challenges of Using Cross Recurrence Quantification Analysis (2014)Open Challenges in Modelling, Analysis and Synthesis of Human Behaviour in Human–Human and Human–Machine Interactions (2015)Movement Coordination in Human–Robot Teams: A Dynamical Systems Approach (2016)The principles of psychology, Vol I. (1890)The Principles of Psychology (1891)Emotion recognition in human-computer interaction (2001)EEG-Based Emotion Recognition in Music Listening (2010)Identifying Stable Patterns over Time for Emotion Recognition from EEG (2017)A Review of Emotion Recognition Using Physiological Signals (2018)Educating the reflective practitioner (1987)Gesture and body-movement as teaching and learning tools in the classical voice lesson: a survey into current practice (2013)Choral Singers’ Perceptions of Musical Leadership (2015)Universality and situatedness in educating choral conductors (2019)Art as Experience (1934) (2026)Language, Truth and Logic (1936)Music alone: philosophical reflections on the purely musical experience (1990)Music, Language, and Cognition (2007)Investigating Causal Relations by Econometric Models and Cross-spectral Methods (1969)Distribution of the Estimators for Autoregressive Time Series with a Unit Root (1979)Relations in Public: Microstudies of the Public Order. (1973)Languages of Art (1976)Intentionality (1983)How and why to express the emotions: A taxonomy of emotional expression with historical illustrations (2021)The Problem of Expressive Action (2021)Desert and Dissociation (2023)
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Cited by

  • 2008Emotion recognition based on physiological changes in music listening1,085 cited
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  • 2010A System for Real-Time Multimodal Analysis of Nonverbal Affective Social Interaction in User-Centric Media102 cited
  • 2011Nineteenth-Century Fortunes of Musical Formalism49 cited
  • 2016De gustibus: arguing about taste and why we do it38 cited
  • 2016Expressive Actions31 cited
  • 2018Disentangling investor sentiment: Mood and household attitudes towards the economy30 cited
  • 2004The Philosophy of Music: Formalism and Beyond28 cited
  • 2009Communicating and accentuating the aesthetic and expressive dimension in choral conducting25 cited
  • 2013Unsettling Melodies: a Cognitive Approach to Incongruent Film Music22 cited
  • 2016In search of an aesthetic pathway: young children's encounters with drama16 cited
  • 2007Sound and Meaning in Recordings of Schubert's “Die junge Nonne”15 cited
  • 2007Measuring musical interaction: analysing communication in embodied musical behaviour13 cited

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1999
Well-Tempered Bagatelles--A Meditation on Listening in Psychoanalysis & Music
10 cited
  • 2003The Experience of Emotion in Music9 cited