SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Echoes of Women's Voices. Music, Art and Female Patronage in Early Modern Florence
0 references·6 citing·17 second hop
Echoes of Women's Voices. Music, Art and Female Patronage in Early Modern Florence (2006)Echoes of Women's Voices. Music, Art and …Echoes of Ariadne in the Musical Reception of Ariosto and Tasso (2020)Echoes of Ariadne in the Musi…The Patronage Politics of Equestrian Ballet: Allegory, Allusion, and Satire in the Courts of Seventeenth-Century Italy and France (2017)The Patronage Politics of Equ…Music, Horses, and Exotic Others: Early-Modern Processions, Tournaments, and Pageants (2017)Music, Horses, and Exotic Oth…CANONISING SAN CARLO: SERMONISING, THE SOUNDING WORD, AND IMAGE CONSTRUCTION IN THE MUSIC FOR CARLO BORROMEO (2015)CANONISING SAN CARLO: SERMONI…‘Now I come to you, ladies, after so much time’: Cleopatra, Maria d'Aragona and anintermediofor the Duchess of Alba (2010)‘Now I come to you, ladies, a…Cultural Clientelism and Brokerage Networks in Early Modern Florence and Rome: New Correspondence between the Barberini and Michelangelo Buonarroti the Younger (2007)Cultural Clientelism and Brok…Music and Theatre from Poliziano to Monteverdi (1982)Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe (1988)The Currency of Eros. Women's Love Lyric in Europe 1540-1620 (1991)Friends of Friends: Networks, Manipulators and Coalitions (1977)Galileo, Courtier (1993)New York 1987 (2000)Local Knowledge: Further Essays In Interpretive Anthropology (1983)Ritual in Early Modern Europe (1999)The Shadow of Callimachus (2006)The Sounds of Milan, 1585–1650 (2002)Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance (2007)Listening as Spiritual Practice in Early Modern Italy (2011)Le opere DI Galileo Galilei (1842)Dizionario biografico degli italiani (1960)Proclaiming a Classic (1991)The complete poems (1998)Intertextuality (2011)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2017The Patronage Politics of Equestrian Ballet: Allegory, Allusion, and Satire in the Courts of Seventeenth-Century Italy and France18 cited
  • 2017Music, Horses, and Exotic Others: Early-Modern Processions, Tournaments, and Pageants14 cited
  • 2007Cultural Clientelism and Brokerage Networks in Early Modern Florence and Rome: New Correspondence between the Barberini and Michelangelo Buonarroti the Younger12 cited
  • 2020Echoes of Ariadne in the Musical Reception of Ariosto and Tasso4 cited
  • 2015CANONISING SAN CARLO: SERMONISING, THE SOUNDING WORD, AND IMAGE CONSTRUCTION IN THE MUSIC FOR CARLO BORROMEO4 cited
  • 2010‘Now I come to you, ladies, after so much time’: Cleopatra, Maria d'Aragona and anintermediofor the Duchess of Alba3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work