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Sonic Realism and Auditory Culture: A Reply to Marie Thompson and Annie Goh
16 references·0 citing·32 second hop
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References

  • 2020Selections from the prison notebooks9,748 cited
  • 2007Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning7,214 cited
  • 2006Meeting the Universe Halfway3,515 cited
  • 2007When Species Meet2,439 cited
  • 1998A thousand years of nonlinear history1,080 cited
  • 2008After Finitude: An Essay on the Necessity of Contingency998 cited
  • 2008After Finitude946 cited
  • 2015Inventing the Future: Postcapitalism and a World Without Work917 cited
  • 1999Cultural Universals and Particulars: An African Perspective709 cited
  • 2011Beyond Representation and Signification: Toward a Sonic Materialism272 cited
  • 1981Philosophy and an African Culture267 cited
  • 1982Philosophy and an African Culture254 cited
  • 2015Sound studies without auditory culture: a critique of the ontological turn187 cited
  • 2017Whiteness and the Ontological Turn in Sound Studies146 cited
  • 2017Sounding Situated Knowledges: Echo in Archaeoacoustics62 cited
  • 2018Xenofeminism : A Politics for Alienation47 cited

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