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Diagrams, Musical Notation, and the Semiotics of Musical Composition
10 references·0 citing·26 second hop
Diagrams, Musical Notation, and the Semiotics of Musical Composition (2018)Diagrams, Musical Notation, and the Semio…Peirce’s Speculative Grammar: Logic as Semiotics (2017)Peirce’s Speculative Grammar:…Peirce’s Speculative Grammar (2017)Peirce’s Speculative GrammarThe Creative Process in Music from Mozart to Kurtág (2012)The Creative Process in Music…Diagrammatology: An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics (2007)Diagrammatology: An Investiga…Diagrammatology (2007)DiagrammatologyIcons in music: A Peircean rationale (1996)Icons in music: A Peircean ra…Beethoven: Studies in the Creative Process (1993)Beethoven: Studies in the Cre…Beethoven (1992)BeethovenCollected Papers of Charles Sanders Peirce. (1934)Collected Papers of Charles S…Collected Papers of Charles Sanders Peirce. (1934)Collected Papers of Charles S…Course in General Linguistics (1960)How To Do Things With Words (1975)Expression and Meaning (1979)Eco and Peirce on Abduction (2018)Why Images Cannot be Arguments, But Moving Ones Might (2019)Peirce on the justification of abduction (2020)A Short History of Biosemiotics (2009)Theses on Biosemiotics: Prolegomena to a Theoretical Biology (2009)Language as a Tool for Interacting Minds (2010)Beethoven's Emergence from Crisis: The Cello Sonatas of Op. 102 (1815) (1998)The First Movement of Beethoven's Cello Sonata, Op. 69: The Opening Solo as a Structural and Motivic Source (1998)Beethoven's Other Humanism (2009)Manifesto for a Relational Sociology (1997)The social life of cultural value (2003)Process Studies of Change in Organization and Management: Unveiling Temporality, Activity, and Flow (2013)Entre el giro lingüístico y el guiño hermenéutico: tópicos y competencia en la semiótica musical actual (2002)Griegs swan songs (2002)BRASILIDADE E SEMIOSE MUSICAL (2006)‘Out of the Air’: Judith Weir’s Emergence in 1970s Britain, or Interpreting Creative Self-Censorship (2019)The Cambridge Companion to the Eroica Symphony (2020)On ‘Systematic’ Reviews of Research Literatures: A ‘narrative’ response to Evans & Benefield (2001)Reasoning in Organization Science (2012)Scale: Discourse and Dimensions of Social Life (2016)Theorizing in Sociological Research: A New Perspective, a New Departure? (2017)Orpheus Revisited: A Ten-Year Retrospect on the Andante con moto of Beethoven's Fourth Piano Concerto (1995)Music and the Sonorous Sublime in European Culture, 1680–1880 (2020)
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References

  • 1934Collected Papers of Charles Sanders Peirce.1,069 cited
  • 1934Collected Papers of Charles Sanders Peirce.581 cited
  • 2007Diagrammatology398 cited
  • 2007Diagrammatology: An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics285 cited
  • 2017Peirce’s Speculative Grammar47 cited
  • 1992Beethoven41 cited
  • 2012The Creative Process in Music from Mozart to Kurtág34 cited
  • 2017Peirce’s Speculative Grammar: Logic as Semiotics30 cited
  • 1993Beethoven: Studies in the Creative Process20 cited
  • 1996Icons in music: A Peircean rationale11 cited

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