References

• 2010Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ239 cited
• 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples172 cited
• 2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples138 cited
• 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films127 cited
• 1940The Artist's Handbook of Materials and Techniques122 cited
• 2016Effect of particle size on pigments colour116 cited
• 2012Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 4. Artificial Aging of Model Samples of Co-Precipitates of Lead Chromate and Lead Sulfate78 cited
• 2017Van Gogh’s Irises and Roses: the contribution of chemical analyses and imaging to the assessment of color changes in the red lake pigments70 cited
• 1993Art in the Making: Impressionism69 cited
• 1982Light: Its Interaction with Art and Antiquities56 cited
• 2000The Art of Impressionism: Painting Technique and the Making of Modernity55 cited
• 2013Van Gogh's studio practice50 cited
• 2014Natural Colorants for Dyeing and Lake Pigments: Practical Recipes and their Historical Sources