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Joseph Haydn’s “witty” play on Hepokoski and Darcy’s Elements of Sonata Theory. James Hepokoski/Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, New York: Oxford University Press 2006.
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Joseph Haydn’s “witty” play on Hepokoski and Darcy’s Elements of Sonata Theory. James Hepokoski/Warren Darcy, Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, New York: Oxford University Press 2006. (2011)Joseph Haydn’s “witty” play on Hepokoski …Mid-section cadences in Haydn’s sonata-form movements (2010)Mid-section cadences in Haydn…The String Quartets of Joseph Haydn (2006)The String Quartets of Joseph…Beyond the Sonata Principle (2002)Beyond the Sonata PrincipleThe "false recapitulation" and the conventions of sonata form (1999)The "false recapitulation" an…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Medial Caesura and Its Ro…The Bifocal Close and the Evolution of the Viennese Classical Style (1989)The Bifocal Close and the Evo…Haydn's false recapitulations and the perception of sonata form in the eighteenth century (1988)Haydn's false recapitulations…Form in Tonal Music: An Introduction to Analysis (1979)Form in Tonal Music: An Intro…Der rhetorische Formbegriff H. Chr. Kochs und die Theorie der Sonatenform (1978)Der rhetorische Formbegriff H…The Classical Style: Haydn, Mozart, Beethoven (1976)The Classical Style: Haydn, M…The Minor Mode in Eighteenth-Century Sonata Form (1971)The Minor Mode in Eighteenth-…Musical Form and Musical Performance (1971)Musical Form and Musical Perf…Fundamentals of Musical Composition (1968)Fundamentals of Musical Compo…Harmonic Aspects of Classic Form (1949)Harmonic Aspects of Classic F…Musikalische Formenlehre (1912)Musikalische FormenlehreHaydn's 'Farewell' Symphony and the Idea of Classical Style (1991)Phrase Rhythm in Tonal Music (1991)Wordless Rhetoric (1991)Normalizing the Abnormal: Disability in Music and Music Theory (2006)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Chopin's Fourth Ballade as Musical Narrative (2004)Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence (2012)The Half Cadence and Other Such Slippery Events (2014)Back and Forth from Egmont : Beethoven, Mozart, and the Nonresolving Recapitulation (2001)Form, Program, and Metaphor in the Music of Berlioz (2009)Extraordinary Measures (2011)Beethoven and the Obscured Medial Caesura (2013)Sonata Form and the Problem of Second‐Theme Beginnings (2013)Sonata Theory, Secondary Themes and Continuous Expositions: Dialogues with Form‐Functional Theory (2016)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Music as Discourse (2008)The construction of Beethoven (2001)Switchings under uncertainty: The coming and becoming of meanings (2010)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)From Policy “Frames” to “Framing” (2014)Roots of the Classical (2004)Harmony in Haydn and Mozart (2012)The Classical Cadence: Conceptions and Misconceptions (2004)Towards a generative syntax of tonal harmony (2011)Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century Revivals (2008)Normative Wit (2015)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)
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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 1968Fundamentals of Musical Composition457 cited
  • 1976The Classical Style: Haydn, Mozart, Beethoven188 cited
  • 1971Musical Form and Musical Performance174 cited
  • 1997The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition162 cited
  • 2002Beyond the Sonata Principle135 cited
  • 1979Form in Tonal Music: An Introduction to Analysis103 cited
  • 1989The Bifocal Close and the Evolution of the Viennese Classical Style95 cited
  • 2010Mid-section cadences in Haydn’s sonata-form movements69 cited
  • 1988Haydn's false recapitulations and the perception of sonata form in the eighteenth century56 cited
  • 2006The String Quartets of Joseph Haydn55 cited
  • 1912Musikalische Formenlehre32 cited
  • 1949Harmonic Aspects of Classic Form28 cited
  • 1999The "false recapitulation" and the conventions of sonata form27 cited
  • 1971The Minor Mode in Eighteenth-Century Sonata Form24 cited
  • 1978Der rhetorische Formbegriff H. Chr. Kochs und die Theorie der Sonatenform

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