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• 2018Palaeoproteomic Profiling of Conservation Layers on a 14th Century Italian Wall Painting128 cited
• 2015Practical notes on ultraviolet technical photography for art examination101 cited
• 2009DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY90 cited
• 2012FRESCO AND LIME‐PAINT: AN EXPERIMENTAL STUDY AND OBJECTIVE CRITERIA FOR DISTINGUISHING BETWEEN THESE PAINTING TECHNIQUES73 cited
• 2000Raman spectroscopic studies of a 13th century polychrome statue: identification of a ?forgotten? pigment68 cited
• 1999Spanish mediaeval frescoes at Basconcillos del Tozo: a Fourier transform Raman spectroscopic study60 cited
• 2016What do we know of Roman wall painting technique? Potential confounding factors in ancient paint media analysis55 cited
• 2008From Byzantine to post-Byzantine art: the painting technique of St Stephen's wall paintings at Meteora, Greece53 cited
• 2004Decay markers for the preventative conservation and maintenance of paintings52 cited
• 2015Cinnabar alteration in archaeological wall paintings: an experimental and theoretical approach49 cited
• 2008Characterization of materials used in the execution of historic oil paintings by XRD, SEM-EDS, TGA and LIBS analysis49 cited
• 2006Thirteenth century wall paintings under the Siena Cathedral (Italy). Mineralogical and petrographic study of materials, painting techniques and state of conservation