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A state of constant prodding: live music, precarity and regulation
16 references·6 citing·44 second hop
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References

  • 2002Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces398 cited
  • 20128th Annual Demographia international housing affordability survey: 2012267 cited
  • 1995Cities and the Night-time Economy172 cited
  • 2009The Consequences of the Creative Class: The Pursuit of Creativity Strategies in Australia's Cities158 cited
  • 1995Rock and Popular Music: Politics, Policies, Institutions155 cited
  • 2011Socio-economic wellbeing in Australian mining towns: A comparative analysis125 cited
  • 2004URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE85 cited
  • 2013Independent creative subcultures and why they matter78 cited
  • 2016Live Concert Performance: An Ecological Approach76 cited
  • 2011Sound society and the geography of popular music76 cited
  • 2013Youth Drinking in Public Places: The Production of Drinking Spaces in and Outside Nightlife Areas72 cited
  • 2009Household Debt: The Final Stage in an Artificially Extended Ponzi Bubble62 cited
  • 2002Governing nightlife: Profit, fun and (dis)order in the contemporary city49 cited
  • 2002Planning a Prosperous Sydney: The challenges of planning urban development in the new urban context42 cited
  • 2017‘Lockout’ laws or ‘rock out’ laws? Governing Sydney’s night-time economy and implications for the ‘music city’

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33 cited
  • 2010How a music scene functioned as a tool for urban redevelopment: A case study of Omaha’s Slowdown project28 cited
  • Cited by

    • 2020Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces21 cited
    • 2022Live music and the New Urban Agenda: Social, economic, environmental and spatial sustainability in live music ecologies17 cited
    • 2020Not all roads lead to London: insularity, disconnection and the challenge to ‘regional’ creative industries policy14 cited
    • 2021Researching Live Music7 cited
    • 2020The UK Live Music Census: The Value of Researching Live Music in Glasgow, Newcastle, Oxford, and Beyond6 cited
    • 2024Left off the circuit: the impact of shrinking live music tours on cities5 cited