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Between Bodies: Activating the space in between museum visitor and objects on display
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Between Bodies: Activating the space in between museum visitor and objects on display (2017)Between Bodies: Activating the space in b…The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space (2017)The Multisensory Museum: Cros…The Inbetweenness of Things Materializing Mediation and Movement between Worlds (2017)The Inbetweenness of Things M…Multisensory Museum (2014)Multisensory MuseumArt and artifact: the museum as medium (2010)Art and artifact: the museum …Skilled visions : between apprenticeship and standards (2007)Skilled visions : between app…The Dubious Inheritance of Touch: Art History and Museum Access (2006)The Dubious Inheritance of To…Sensible Objects : Colonialism, Museums and Material Culture (2006)Sensible Objects : Colonialis…The Perception of the Environment (2002)The Perception of the Environ…The Sculptural Imagination: Figurative, Modernist, Minimalist (2001)The Sculptural Imagination: F…The Merleau-Ponty Aesthetics Reader: Philosophy and Painting (1993)The Merleau-Ponty Aesthetics …The Interior Dimension: A Theoretical Approach to Enclosed Space (1991)The Interior Dimension: A The…The Originality of the Avant-Garde and Other Modernist Myths (1986)The Originality of the Avant-…Late Roman Art Industry (1986)Late Roman Art IndustryThe Power of the Center: A Study of Composition in the Visual Arts (1983)The Power of the Center: A St…Passages in Modern Sculpture (1978)Passages in Modern SculptureThe New Vision and Abstract of an Artist (1949)The New Vision and Abstract o…Time and the Other: How Anthropology Makes Its Object (1983)Situated Learning: Legitimate Peripheral Participation. (1994)Communities of practice learning, meaning, and identity (1999)MUSCLES, MORALS AND MIND: CRAFT APPRENTICESHIP AND THE FORMATION OF PERSON (2008)Making knowledge: explorations of the indissoluble relation between minds, bodies, and environment (2010)The Dark Side of Empathy: Mimesis, Deception, and the Magic of Alterity (2015)The Public Availability of Actions and Artefacts (2002)History of Modern Aesthetics (2005)Phenomenological Psychological Research as Science (2012)Methods and models in pictorial semiotics (1988)Anamorphosis and the Eccentric Observer: History, Technique and Current Practice (1992)The Cambridge History of Modernism (2017)Aesthetic Products and Aesthetic Consumption: A Review (2006)Intersemiotic complementarity: A framework for multimodal discourse analysis (2013)The Cognitive-Emotional Design and Study of Architectural Space: A Scoping Review of Neuroarchitecture and Its Precursor Approaches (2021)Authentic Ruins (2009)The Bronze Object in the Middle Ages (2016)Herder's Naturalist Aesthetics (2019)The Latin American origins of ‘alternative modernism’ (1996)Navajo and Photography (2003)When Is a Photograph Worth a Thousand Words? (2003)Senses of place: architectural design for the multisensory mind (2020)Immersive Digital Tourism: The Role of Multisensory Cues in Digital Museum Experiences (2021)A review of the effects of architectural stimuli on human psychology and physiology (2022)Cultural Constraints on Grammar and Cognition in Pirahã (2005)Editorial: Mobilities, Immobilities and Moorings (2006)INDIGENOUS COSMOPOLITICS IN THE ANDES: Conceptual Reflections beyond “Politics” (2010)From the culture of spolia to the cult of relics: the Arch of Constantine and the genesis of late antique forms (2000)The Cybernetic Hypothesis (2014)Aesthetics as Philosophy of Perception (2016)Where words fail, visuals ignite (2010)Objects of Affect: Photography Beyond the Image (2012)Emotion, Sense, Experience (2020)
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References

  • 2002The Perception of the Environment4,907 cited
  • 2006Sensible Objects : Colonialism, Museums and Material Culture343 cited
  • 1986The Originality of the Avant-Garde and Other Modernist Myths339 cited
  • 1978Passages in Modern Sculpture283 cited
  • 1993The Merleau-Ponty Aesthetics Reader: Philosophy and Painting243 cited
  • 1983The Power of the Center: A Study of Composition in the Visual Arts206 cited
  • 2007Skilled visions : between apprenticeship and standards191 cited
  • 2017The Multisensory Museum: Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space160 cited
  • 1986Late Roman Art Industry149 cited
  • 2001The Sculptural Imagination: Figurative, Modernist, Minimalist118 cited
  • 2010Art and artifact: the museum as medium101 cited
  • 2006The Dubious Inheritance of Touch: Art History and Museum Access70 cited
  • 1949The New Vision and Abstract of an Artist64 cited
  • 1991The Interior Dimension: A Theoretical Approach to Enclosed Space53 cited
  • 2014Multisensory Museum49 cited
  • 2017The Inbetweenness of Things Materializing Mediation and Movement between Worlds

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