SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Jan Philipp Sprick, Die Sequenz in der deutschen Musiktheorie um 1900, Hildesheim: Olms 2012 (= Studien zur Geschichte der Musiktheorie 9)
10 references·0 citing·27 second hop
Jan Philipp Sprick, Die Sequenz in der deutschen Musiktheorie um 1900, Hildesheim: Olms 2012 (= Studien zur Geschichte der Musiktheorie 9) (2014)Jan Philipp Sprick, Die Sequenz in der de…Thinking about Harmony: Historical Perspectives on Analysis (2008)Thinking about Harmony: Histo…Rosalia, Aloysius, and Arcangelo: A Genealogy of the Sequence (2003)Rosalia, Aloysius, and Arcang…Die Symphonie Anton Bruckners (2002)Die Symphonie Anton BrucknersIdeen zu einer ‘Lehre von den Tonvorstellungen’ (1999)Ideen zu einer ‘Lehre von den…Die Musik in Geschichte und Gegenwart (1989)Die Musik in Geschichte und G…Versuch einer Anleitung zur Composition (1969)Versuch einer Anleitung zur C…Studien zur Harmonie- und Klangtechnik der neueren Musik (1969)Studien zur Harmonie- und Kla…Romantische Harmonik und ihre Krise in Wagner's "Tristan" (1925)Romantische Harmonik und ihre…Handbuch der Harmonielehre (1920)Handbuch der HarmonielehreVersuch einer geordneten Theorie der Tonsetzkunst.; 1830-1832 (1830)Versuch einer geordneten Theo…Between Romanticism and Modernism (1980)From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century (1996)Journal of Music Theoryover the Years (2006)Schubert, Chromaticism, and the Ascending 5-6 Sequence (2006)Transformations for the Twenty-First Century (2025)Towards a History of Viennese Chamber Music in the Early Classical Period (1974)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Augmented-Sixth Chords vs. Tritone Substitutes (2008)Rewriting the Grand Narrative of Jewish Music: Abraham Z. Idelsohn in the United States (2010)On the Group of Transformations of Classical Types of Seventh Chords (2017)Schenker, Schubert, and the Subtonic Chord (2010)New Sources and Old Methods. Reconstructing and Applying the Music-Theoretical Paratext of Johann Sebastian Bach’s Compositional Pedagogy (2019)Music Theory for the “Weaker Sex”: Oliveria Prescott’s Columns forThe Girl’s Own Paper (2020)Kurth's "Bruckner" and the Adagio of the Seventh Symphony (1988)The Cambridge Companion to the Symphony (2013)Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony (2018)Production, consumption and political function of seventeenth-century opera (1984)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)The Schenker Project (2007)Dualist tonal space and transformation in nineteenth-century musical thought (2002)Nineteenth-century harmonic theory: the Austro-German legacy (2002)Tonality (2002)The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis (1981)Energetics (2002)G érard G risey and the ‘N ature ’ of H armony (2009)M eyer's Anvil: Revisiting the Schema Concept (2012)
this work references cited by second hop

References

  • 1989Die Musik in Geschichte und Gegenwart496 cited
  • 1969Versuch einer Anleitung zur Composition242 cited
  • 1830Versuch einer geordneten Theorie der Tonsetzkunst.; 1830-1832135 cited
  • 1999Ideen zu einer ‘Lehre von den Tonvorstellungen’100 cited
  • 1925Romantische Harmonik und ihre Krise in Wagner's "Tristan"81 cited
  • 1920Handbuch der Harmonielehre48 cited
  • 2002Die Symphonie Anton Bruckners33 cited
  • 2003Rosalia, Aloysius, and Arcangelo: A Genealogy of the Sequence31 cited
  • 2008Thinking about Harmony: Historical Perspectives on Analysis20 cited
  • 1969Studien zur Harmonie- und Klangtechnik der neueren Musik14 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work