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Handschins ›Toncharakter‹. Plädoyer für einen neuen Anlauf, ausgehend von neueren musiktheoretischen und kognitionspsychologischen Untersuchungen zu den tonalen ›Qualia‹
16 references·1 citing·35 second hop
Handschins ›Toncharakter‹. Plädoyer für einen neuen Anlauf, ausgehend von neueren musiktheoretischen und kognitionspsychologischen Untersuchungen zu den tonalen ›Qualia‹ (2016)Handschins ›Toncharakter‹. Plädoyer für e…The Languages of Western Tonality (2013)The Languages of Western Tona…The Structure and Function of Musical Theory 1965 (2011)The Structure and Function of…Modes, the Height-Width Duality, and Handschin’s Tone Character (2011)Modes, the Height-Width Duali…Regions: A Theory of Tonal Spaces in Early Medieval Treatises (1996)Regions: A Theory of Tonal Sp…Jacques Handschins "Toncharakter": Zu den Bedingungen seiner Entstehung (1994)Jacques Handschins "Toncharak…Aspects of Well-Formed Scales (1989)Aspects of Well-Formed ScalesA Mathematical Model of the Diatonic System (1989)A Mathematical Model of the D…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Music Theory, Phenomenology, and Modes of Perception (1986)Music Theory, Phenomenology, …Variety and Multiplicity in Diatonic Systems (1985)Variety and Multiplicity in D…Die Tonarten der klassischen Vokalpolyphonie (1976)Die Tonarten der klassischen …Pitch Notation and Equal Temperament: A Formal Study (1975)Pitch Notation and Equal Temp…The Structure of Atonal Music (1974)The Structure of Atonal MusicOn Allen Forte's Theory of Chords (1974)On Allen Forte's Theory of Ch…Some Combinational Resources of Equal-Tempered Systems (1967)Some Combinational Resources …The Schillinger System of Musical Composition (1945)The Schillinger System of Mus…Dual lattice-path transformations and the dynamics of the major and minor exo-modes (2018)Dual lattice-path transformat…Genesis of a Music (1949)TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS (1960)Set Structure as a Compositional Determinant (1961)Early Indian Heptatonic Scales and Recent Diatonic Theory (1993)Hemiola, Maximal Evenness, and Metric Ambiguity in Late Ligeti (2012)Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities (2020)The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems (1980)Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues (1996)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Music theory and mathematics (2002)Source Readings in Music History (1950)The Anxiety of Influence (1973)Bodily Hearing: Physiological Metaphors and Musical Understanding (1999)Music and Ethical Responsibility (2014)Maximally Even Sets (1991)Sensitive Interval Property for Scales as Words in the Free Group F2 (2011)Greek Ethnic Modal Names vs. Alia Musica’s Nomenclature (2015)GeneralizedTonnetzeandZeitnetze, and the topology of music concepts (2020)Style and Idea (1950)Structural functions of harmony (1954)The Structure of Atonal Music (1973)'Tonal' Forms in Arnold Schoenberg's Twelve-Tone Music (1987)Diatonic Connotations of Pitch-Class Sets (1997)Scalar Shift in Popular Music (2011)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)Spelled Heptachords (2011)Scale Networks and Debussy (2004)The distance geometry of music (2008)Chord Context and Harmonic Function in Tonal Music (2018)The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content (2020)Tonality (2023)Q-analysis, or a language of structure: an introduction for social scientists, geographers and planners (1980)Atonal prolongational structure (1989)(Ac)cumulative Form in Pop-Rock Music (2004)
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References

  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 1974The Structure of Atonal Music297 cited
  • 1989Aspects of Well-Formed Scales170 cited
  • 1985Variety and Multiplicity in Diatonic Systems166 cited
  • 1989A Mathematical Model of the Diatonic System74 cited
  • 2013The Languages of Western Tonality54 cited
  • 2011Modes, the Height-Width Duality, and Handschin’s Tone Character42 cited
  • 1967Some Combinational Resources of Equal-Tempered Systems36 cited
  • 1974On Allen Forte's Theory of Chords33 cited
  • 1975Pitch Notation and Equal Temperament: A Formal Study28 cited
  • 1996Regions: A Theory of Tonal Spaces in Early Medieval Treatises27 cited
  • 1976Die Tonarten der klassischen Vokalpolyphonie22 cited
  • 1945The Schillinger System of Musical Composition12 cited
  • 2011The Structure and Function of Musical Theory 196510 cited
  • 1994Jacques Handschins "Toncharakter": Zu den Bedingungen seiner Entstehung5 cited

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  • 2018Dual lattice-path transformations and the dynamics of the major and minor exo-modes5 cited