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Abstract The poetics of openness, as formulated by Umberto Eco in his pre-semiotic workThe Open Work(1962), has already been useful and applicable to cultural studies and textual analysis. I propose that this poetics of openness be applied to critical educational practices as well. In this article, I argue that a poetics of openness when coupled with active ‘on the ground’ “critical public pedagogics” can provide a flexible framework for approaching the education of interpretation. Through this framework, a text or sign system is understood as ‘closed’ if it elicits univocal meanings: expecting a predetermined response from a generic/average reader. A text is ‘open’ when it fosters a plurality of interpretative possibilities that actively engage the “existential credentials” of the interpreter. Aesthetic openness is part of adopting a semiotic perspective toward educational processes. A theory ofmodel readerpedagogically helps protect against the kind of radical constructivism this interpretative approach can seem to foster. Openness is not presented as a system or methodology of education, but as a pedagogical value: encouraging both educators and students to bring a perspective of critical openness to all the sign systems and discourses they engage with.
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