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Ekphrasis in Recent Popular Novels
14 references·1 citing·29 second hop
Ekphrasis in Recent Popular Novels (2018)Ekphrasis in Recent Popular NovelsEkphrasis (2019)EkphrasisThe Oxford handbook of cognitive literary studies (2016)The Oxford handbook of cognit…Twenty-First-Century Fiction (2013)Twenty-First-Century FictionThe return to experience: psychology and the visual (2012)The return to experience: psy…Why Do We Care about Literary Characters? (2011)Why Do We Care about Literary…Bring on the books for everybody: how literary culture became popular culture (2011)Bring on the books for everyb…Dreaming by the Book (1999)Dreaming by the BookMuseum of Words: The Poetics of Ekphrasis from Homer to Ashbery (1995)Museum of Words: The Poetics …The reader's eye: visual imaging as reader response (1994)The reader's eye: visual imag…Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery (1994)Museum of Words: The Poetics …Das kulturelle Gedächtnis (1992)Das kulturelle GedächtnisThe Power of Images: Studies in the History and Theory of Response (1991)The Power of Images: Studies …THE POWER OF IMAGES (1989)THE POWER OF IMAGESVision and Painting: The Logic of the Gaze (1984)Vision and Painting: The Logi…“Art is Seeing Things”: Ekphrastic Education in Ali Smith’s Seasonal Quartet (2022)“Art is Seeing Things”: Ekphr…The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1979)The Apocryphal New Testament (1993)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)The epic of Gilgamesh : the Babylonian epic poem and other texts in Akkadian and Sumerian (2000)9. The Generation Of Postmemory (2008)Statius'Silvaeand the Poetics of Empire (2002)Statius' Thebaid and the Poetics of Civil War (2007)The artistry of the Homeric simile (2009)Limits to Anthropocentrism: Toward an Ecocentric Organization Paradigm? (1995)Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)Visual essentialism and the object of visual culture (2003)Emotions, Imagination and Consumption (2009)How Stories Make Us Feel: Toward an Embodied Narratology (2011)What Literature Teaches Us about Emotion (2011)Art and Agency An Anthropological Theory (1998)The Fire of Desire: A Multisited Inquiry into Consumer Passion (2003)The Visual Dimension in Organizing, Organization, and Organization Research: Core Ideas, Current Developments, and Promising Avenues (2013)Digital consumption and the extended self (2014)The Cambridge Companion to British Fiction since 1945 (2015)The Contemporary (2017)Utopia and the Contemporary British Novel (2019)Classical standards in the period (2000)Found Poetry as Literature Review (2006)Cognitive Grammar in Literature (2014)The Cambridge History of Literary Criticism (1997)The Cambridge History of Literary Criticism (1999)Adaptation and Intertextuality, or, What Isn't an Adaptation, and What does it Matter? (2012)Sympathetic Realism in Nineteenth-Century British Fiction (2012)Reading for Learning (2014)
this work references cited by second hop

References

  • 1992Das kulturelle Gedächtnis1,657 cited
  • 1989THE POWER OF IMAGES1,053 cited
  • 1984Vision and Painting: The Logic of the Gaze487 cited
  • 2011Why Do We Care about Literary Characters?466 cited
  • 1991The Power of Images: Studies in the History and Theory of Response454 cited
  • 1995Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery396 cited
  • 2019Ekphrasis381 cited
  • 1994Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery376 cited
  • 2013Twenty-First-Century Fiction274 cited
  • 1999Dreaming by the Book191 cited
  • 2016The Oxford handbook of cognitive literary studies148 cited
  • 2011Bring on the books for everybody: how literary culture became popular culture132 cited
  • 1994The reader's eye: visual imaging as reader response124 cited
  • 2012The return to experience: psychology and the visual31 cited

Cited by

  • 2022“Art is Seeing Things”: Ekphrastic Education in Ali Smith’s Seasonal Quartet18 cited

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