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The link between music and society is a relationship with complex social ties. The internal characteristics of music and the changing and fluid features of society reveal a need to define and evaluate the major problems of the sociology of music. The purpose of this article is to evaluate the major transformation of arabesk music through examining the principles of music sociology and proposing new topic suggestions revealed through major discussions on the agenda of sociological and methodological problems.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.