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Pale imitations: White performances of slave dance in the public theatres of pre-revolutionary Saint-Domingue
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Pale imitations: White performances of slave dance in the public theatres of pre-revolutionary Saint-Domingue (2018)Pale imitations: White performances of sl…Mimesis and Colonialism: Emerging Perspectives on a Shared History (2015)Mimesis and Colonialism: Emer…From Plantation to Paradise?: Cultural Politics and Musical Theatre in French Slave Colonies, 1764–1789 (2014)From Plantation to Paradise?:…Whiting Up (2011)Whiting UpThe Spirits and the Law (2011)The Spirits and the LawDifferent DrummersRhythm and Race in the Americas (2010)Different DrummersRhythm and …Les Congos à Saint-Domingue (2007)Les Congos à Saint-DomingueBlack Culture and Black Consciousness (2007)Black Culture and Black Consc…The grotesque dancer on the eighteenth-century stage : Gennaro Magri and his world (2005)The grotesque dancer on the e…Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture (2000)Behind the Burnt Cork Mask: E…The Slave Ship Dance (1999)The Slave Ship DanceThe Problem of Slavery in Western Culture (1967)Tuscarora-English/English-Tuscarora dictionary . By Blair A. Rudes. Toronto: University of Toronto Press, 1998. Pp. xliv, 700. (2000)Haitian Revolutionary Studies (2002)Le répertoire linguistique de la tumba francesa entre Saint-Domingue, Cuba et Haïti (2024)Mimesis: The Representation of Reality in Western Literature (1954)Mimesis and alterity: a particular history of the senses (1993)Dialectic of enlightenment : philosophical fragments (2002)Mimesis and mimicry in language – Creativity and aesthetics as the performance of (dis-)semblances 1 (2017)More thoughts on creative and secret language practices (2019)Black Majority: Negroes in Colonial South Carolina from 1670 through the Stono Rebellion (1976)The Cambridge Companion to African American Theatre (2012)Routes of Blackface (2013)Ethnic nicknaming: ‘negro’ as a term of endearment and vicarious blackness in Argentina (2017)The Flighty Coquette Sings on Easter Sunday (2019)Afro-American Cognitive Style: A Variable in School Success? (1982)Diaspora Literacy and Consciousness in the Struggle Against Miseducation in the Black Community (1992)Urban Outcasts: Stigma and Division in the Black American Ghetto and the French Urban Periphery* (1993)‘Choreography’ is Narrative: The Programmes of the Eighteenth-Century Ballet d'Action (2008)Historically Informed Performance (2015)Choreography Invisible (2020)From Slave Revolt to a Blood Pact with Satan: The Evangelical Rewriting of Haitian History (2012)In the Name of the Nation: Blood Symbolism and the Political Habitus of Violence in Haiti (2012)Beyond Genealogies: Expertise and Religious Knowledge in Legal Cases Involving African Diasporic Publics (2017)"Messin' with the Furniture Man": Early Country Music, Regional Culture, and the Search for an Anthological Modernism (2004)A “Brutology” of Bozal: Tracing a Discourse Genealogy from Nineteenth-Century Blackface Theater to Twenty-First-Century Spirit Possession in Cuba (2013)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Rhythmic Bodies: Amplification, Inflection and Transduction in the Dance Performance Techniques of the “Bashment Gal” (2014)New Riffs on the Old Mind-Body Blues: “Black Rhythm,” “White Logic,” and Music Theory in the Twenty-First Century (2015)The Political Economy of Music and Sound (2019)Limbologics (2023)
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References

  • 2007Black Culture and Black Consciousness465 cited
  • 2011The Spirits and the Law253 cited
  • 2000Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture84 cited
  • 2011Whiting Up69 cited
  • 2010Different DrummersRhythm and Race in the Americas69 cited
  • 2005The grotesque dancer on the eighteenth-century stage : Gennaro Magri and his world55 cited
  • 1999The Slave Ship Dance31 cited
  • 2015Mimesis and Colonialism: Emerging Perspectives on a Shared History24 cited
  • 2007Les Congos à Saint-Domingue11 cited
  • 2014From Plantation to Paradise?: Cultural Politics and Musical Theatre in French Slave Colonies, 1764–178910 cited

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