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Failed Comportment and Fits of Discomposure in the Films of Wes Anderson
15 references·0 citing·32 second hop
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this work references cited by second hop

References

  • 1984The Managed Heart: Commercialization of Human Feeling8,747 cited
  • 2000The feeling of what happens: body and emotion in the making of consciousness5,998 cited
  • 1996Engaging characters: fiction, emotion, and the cinema766 cited
  • 2009Moving viewers: American film and the spectator's experience347 cited
  • 2002Irony, nihilism and the new American 'smart' film121 cited
  • 2012Masculinity and film performance: male angst in contemporary American cinema52 cited
  • 2002Managing Emotions in the College Classroom: The Cultural Diversity Course as an Example43 cited
  • 2014The Grand Budapest Hotel37 cited
  • 2005EMOTION AND FILM THEORY23 cited
  • 2011Framing the ‘melancomic’: character, aesthetics and affect in Wes Anderson'sRushmore22 cited
  • 2013The Wes Anderson Collection20 cited
  • 2011‘I'm just a character in your film’: acting and performance from autism to Zissou17 cited
  • 2011Wes Anderson15 cited
  • 2016Wes Anderson’s ambivalent film style: the relation betweenmise-en-scèneand emotion10 cited
  • 2014The Films of Wes Anderson: critical essays on an Indiewood icon9 cited

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