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Assembled Worlds: Intertextuality and Sincerity in the Films of Wes Anderson
16 references·1 citing·31 second hop
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References

  • 1985A Theory of Parody: The Teachings of Twentieth-Century Art Forms769 cited
  • 2000Overhearing film dialogue160 cited
  • 2010Consider David Foster Wallace: Critical Essays153 cited
  • 1999The river97 cited
  • 1992Film Theory Goes to the Movies71 cited
  • 2005Cinephilia : Movies, Love and Memory62 cited
  • 2007La Camera-Crayola: Authorship Comes of Age in the Cinema of Wes Anderson56 cited
  • 2014Indie 2.0: change and continuity in contemporary American indie film56 cited
  • 2011Taking Place49 cited
  • 2014The Grand Budapest Hotel37 cited
  • 2012American Smart Cinema31 cited
  • 2017The Cinema of Wes Anderson: Bringing Nostalgia to Life20 cited
  • 2013The Wes Anderson Collection20 cited
  • 2018American Eccentric Cinema15 cited
  • 1961L' Annee derniere a Marienbad15 cited
  • 1989Back to the future, Part III11 cited

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  • 2021Mise-en-Abyme as Narrative Strategy in the Films of Wes Anderson

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5 cited