SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Hamlet First Quarto (1603) & the Play of Typography
13 references·0 citing·26 second hop
The Hamlet First Quarto (1603) & the Play of Typography (2017)The Hamlet First Quarto (1603) & the Play…Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets (2021)Shakespeare's Perjured Eye: T…1216: Every Man Out of His Humour (2014)1216: Every Man Out of His Hu…How Not to Look at a Printed Flower (2008)How Not to Look at a Printed …Shakespeare and Language (2004)Shakespeare and LanguageGraffiti and the writing arts of early modern England (2002)Graffiti and the writing arts…A Grammar of Shakespeare’s Language (2002)A Grammar of Shakespeare’s La…The Art of Shakespeare’s Sonnets (1999)The Art of Shakespeare’s Sonn…The First Quarto of Hamlet (1998)The First Quarto of HamletThe Art of Shakespeare’s Sonnets (1997)The Art of Shakespeare’s Sonn…The Materiality of the Shakespearean Text (1993)The Materiality of the Shakes…Pattern Poetry: Guide to an Unknown Literature (1987)Pattern Poetry: Guide to an U…Representing Shakespeare: New Psychoanalytic Essays (1982)Representing Shakespeare: New…3. The Wether and the Ewe: VERBAL USURY IN THE MERCHANT OF VENICE (1982)3. The Wether and the Ewe: VE…Alternative Shakespeares (2007)Duration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time? (2010)Shakespeare, rhetoric and cognition (2012)The Father and the Bride in Shakespeare (1982)Feminist Thematics and Shakespearean Tragedy (1988)Shakespeare's Pacifism (1992)Foundation Myths in Ancient Societies (2015)What is Poetry?: Language and Memory in the Poems of the World (2015)Visual Iconicity in Poetry (2016)Private Selves and the Intellectual Marketplace in Late Fourteenth-Century England: The Case of the Two Usks (1997)Speech and Performance in Shakespeare's Sonnets and Plays (2002)Male Friendship in Shakespeare and his Contemporaries (2007)Inscribing the Body (2004)The Rise of Prison Literature in the Sixteenth Century (2013)Reading, Writing, and Initialing: Female Literacy in Early Modern London (2015)Writing as Thinking (2008)Alternative Shakespeares (1987)Shakespeare and the Force of Modern Performance (2003)The First Literary Hamlet and the Commonplacing of Professional Plays (2008)The Gutenberg English Poetry Corpus: Exemplary Quantitative Narrative Analyses (2018)The First Quarto of King Henry V (2000)Shakespeare: from stage to screen (2005)Shakespearean Futures (2020)Echolocation, figuration and tellings: rhetorical strategies in Romeo and Juliet (2005)Inventing English: A Portable History of the Language (2007)I will proclaim myself what I am: Corpus stylistics and the language of Shakespeare’s soliloquies (2015)
this work references cited by second hop

References

  • 1997The Art of Shakespeare’s Sonnets344 cited
  • 2002Graffiti and the writing arts of early modern England258 cited
  • 1993The Materiality of the Shakespearean Text230 cited
  • 1999The Art of Shakespeare’s Sonnets152 cited
  • 1982Representing Shakespeare: New Psychoanalytic Essays139 cited
  • 2021Shakespeare's Perjured Eye: The Invention of Poetic Subjectivity in the Sonnets109 cited
  • 1987Pattern Poetry: Guide to an Unknown Literature76 cited
  • 2002A Grammar of Shakespeare’s Language68 cited
  • 20141216: Every Man Out of His Humour58 cited
  • 1998The First Quarto of Hamlet58 cited
  • 2004Shakespeare and Language31 cited
  • 2008How Not to Look at a Printed Flower19 cited
  • 19823. The Wether and the Ewe: VERBAL USURY IN THE MERCHANT OF VENICE8 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work