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Chord-Scale Networks in the Music and Improvisations of Wayne Shorter
9 references·0 citing·35 second hop
Chord-Scale Networks in the Music and Improvisations of Wayne Shorter (2018)Chord-Scale Networks in the Music and Imp…Prolongation and Its Limits: The Compositions of Wayne Shorter (2018)Prolongation and Its Limits: …Jazz Harmony: A Progress Report (2015)Jazz Harmony: A Progress Repo…Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 1960 (2010)Modeling Diatonic, Acoustic, …Augmented-Sixth Chords vs. Tritone Substitutes (2008)Augmented-Sixth Chords vs. Tr…Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock (2005)Modes, Scales, Functional Har…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Oh Freedom: George Russell , John Coltrane, and Modal Jazz (1998)Oh Freedom: George Russell , …Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords (1998)Moving beyond Neo-Riemannian …Analyzing musical interaction in jazz improvisations of the 1960sAnalyzing musical interaction…Improvisation: Its Nature And Practice In Music (1980)Thinking in jazz: the infinite art of improvisation (1995)In the Break: The Aesthetics of the Black Radical Tradition (2004)Guide-Tone Space (2019)A Mathematical Model of Tonal Function (II): Modulation (2022)Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving (2022)The Music of Alban Berg (1996)Schenkerian Analysis of Modern Jazz: Questions about Method (1998)Scale Networks and Debussy (2004)Where Have I Known This Before? An Exploration of Harmony and Voice Leading in the Compositions of Chick Corea (2012)Chick Corea and Postbop Harmony (2016)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Musical, Textual, and Visual Meanings in Bang on a Can's "Lost Objects" (2014)Versuch einer geordneten Theorie der Tonsetzkunst.; 1830-1832 (1830)Romantische Harmonik und ihre Krise in Wagner's "Tristan" (1925)Supplement to the Theory of Augmented-Sixth Chords (1995)Transformation in Rock Harmony: An Explanatory Strategy* (2017)Transformations in Tonal Jazz (2017)The line of fifths and the co-evolution of tonal pitch-classes (2022)Structural Hearing; Tonal Coherence in Music (1953)The Problem of Prolongation in Post-Tonal Music (1987)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Four Studies of Charlie Parker's Compositional Processes (2018)The “Finite” Art of Improvisation: Pedagogy and Power in Jazz Education (2008)Stefan Wolpe and the Avant-Garde Diaspora (2012)Social distance and the multimodal construction of the Other in sectarian song (2015)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)A geometry of music: harmony and counterpoint in the extended common practice (2012)Talking Back (2016)Projection, Call‐Response and the Improvisational Moment (2023)
this work references cited by second hop

References

  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 2008Augmented-Sixth Chords vs. Tritone Substitutes43 cited
  • 2005Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock28 cited
  • 1998Oh Freedom: George Russell , John Coltrane, and Modal Jazz27 cited
  • 2010Modeling Diatonic, Acoustic, Hexatonic, and Octatonic Harmonies and Progressions in Two- and Three-Dimensional Pitch Spaces; or Jazz Harmony after 196016 cited
  • n.d.Analyzing musical interaction in jazz improvisations of the 1960s13 cited
  • 2018Prolongation and Its Limits: The Compositions of Wayne Shorter11 cited
  • 2015Jazz Harmony: A Progress Report11 cited

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