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Through the Gaps of My Fingers: Genre, Femininity, and Cringe Aesthetics in Dramedy Television
16 references·3 citing·34 second hop
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References

  • 1991Film Bodies: Gender, Genre, and Excess1,241 cited
  • 2015Complex TV: The Poetics of Contemporary Television Storytelling1,028 cited
  • 1995The Unruly Woman: Gender and the Genres of Laughter501 cited
  • 1997Prime-time feminism: television, media culture, and the women's movement since 1970456 cited
  • 2009What a Girl Wants?353 cited
  • 2007Postfeminism and Popular Culture238 cited
  • 2003Sex and the City and Consumer Culture: Remediating Postfeminist Drama226 cited
  • 2005Serial Television: Big Drama on the Small Screen160 cited
  • 2016The Aesthetics and Affects of Cuteness141 cited
  • 2014Cable Guys141 cited
  • 2004Comedy verite: contemporary sitcom form113 cited
  • 2004Serial Television107 cited
  • 2017Media of Serial Narrative99 cited
  • 2000Television, history, and American culture: feminist critical essays93 cited
  • 2016Precarious-Girl Comedy: Issa Rae, Lena Dunham, and Abjection Aesthetics81 cited
  • 2024Feminism in popular culture78 cited

Cited by

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  • 2021The affective life of heterosexuality: heteropessimism and postfeminism in Fleabag26 cited
  • 2019Too Close for Comfort: Direct Address and the Affective Pull of the Confessional Comic Woman in Chewing Gum and Fleabag26 cited
  • 2023Netflix and cringe – affectively watching ‘uncomfortable’ TV15 cited