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Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity
16 references·5 citing·33 second hop
Consonance and prevalence of sonorities in Western polyphony: Roughness, harmonicity, familiarity, evenness, diatonicity (2018)Consonance and prevalence of sonorities i…A geometry of music: harmony and counterpoint in the extended common practice (2012)A geometry of music: harmony …A General History of the Science and Practice of Music (2011)A General History of the Scie…Ancient Greek Music (2009)Ancient Greek MusicTuning and temperament (2002)Tuning and temperamentThe New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Rameau and Musical Thought in the Enlightenment (1994)Rameau and Musical Thought in…Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance (1994)Interval-Class Content in Equ…Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities (1991)Tonal Consonance versus Tonal…A History of Consonance and Dissonance (1989)A History of Consonance and D…The New Harvard Dictionary of Music (1987)The New Harvard Dictionary of…On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections (1986)On Sonority in Fourteenth-Cen…The Structure of Scientific Revolutions (1963)The Structure of Scientific R…Perspectives of New Music (1963)Perspectives of New MusicSet Structure as a Compositional Determinant (1961)Set Structure as a Compositio…Conflict, arousal, and curiosity. (1960)Conflict, arousal, and curios…Emotion and Meaning in Music (1957)Emotion and Meaning in MusicPsychocultural histories and explanatory gaps (2023)Psychocultural histories and …Roughness perception: A multisensory/crossmodal perspective (2022)Roughness perception: A multi…Quantum GestART: Identifying and Applying Correlations between Mathematics, Art, and Perceptual Organization (2020)Quantum GestART: Identifying …Octave-generalized analysis of chord progressions: Diatonic/fifth relations, missing fundamentals, completion tones (2020)Octave-generalized analysis o…Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone (2019)Pitch-class prevalence in pla…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Generalized Voice-Leading Spaces (2008)The meanings of musical meanings (2011)Fourier Phase and Pitch-Class Sum (2019)Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets (2019)Universals in the Content and Structure of Values: Theoretical Advances and Empirical Tests in 20 Countries (1992)Well-being : the foundations of hedonic psychology (1999)The Psychological Meaning of Words: LIWC and Computerized Text Analysis Methods (2009)Atonal prolongational structure (1989)The Cambridge History of American Music (1998)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Defending the Dodecachordon: Ideological Currents in Glarean's Modal Theory (1996)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)The orchestral revolution: Haydn and the technologies of timbre (2013)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)The spectral music of James Tenney (2008)An Eighteenth-Century Theory of Musical Cognition? (2018)The evolution of human music in light of increased prosocial behavior: a new model (2023)Eruptions: heavy metal appropriations of classical virtuosity (1992)Roots of the Classical (2004)Writing With Wearables? Young Children’s Intra-Active Authoring and the Sounds of Emplaced Invention (2018)Grounded theory research: Procedures, canons, and evaluative criteria (1990)Toward a Theory of Situation Awareness in Dynamic Systems (1995)Social Capital, Intellectual Capital, and the Organizational Advantage (1998)Is Infant-Directed Speech Prosody a Result of the Vocal Expression of Emotion? (2000)International Handbook of Research in Arts Education (2007)Being Together in Time: Musical Experience and the Mirror Neuron System (2009)Classical scholarship and literary criticism (1997)The End of Early Music (2007)The Cambridge History of Music Criticism (2019)
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References

  • 1963The Structure of Scientific Revolutions21,164 cited
  • 1960Conflict, arousal, and curiosity.6,018 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1957Emotion and Meaning in Music768 cited
  • 1963Perspectives of New Music381 cited
  • 1994Rameau and Musical Thought in the Enlightenment213 cited
  • 2012A geometry of music: harmony and counterpoint in the extended common practice204 cited
  • 1987The New Harvard Dictionary of Music169 cited
  • 2011A General History of the Science and Practice of Music148 cited
  • 1989A History of Consonance and Dissonance122 cited
  • 1986On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections103 cited
  • 2009Ancient Greek Music97 cited
  • 1961Set Structure as a Compositional Determinant87 cited
  • 1991Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities81 cited
  • 1994Interval-Class Content in Equally Tempered Pitch-Class Sets: Common Scales Exhibit Optimum Tonal Consonance75 cited
  • 2002Tuning and temperament58 cited

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Cited by

  • 2022Roughness perception: A multisensory/crossmodal perspective92 cited
  • 2019Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone17 cited
  • 2020Quantum GestART: Identifying and Applying Correlations between Mathematics, Art, and Perceptual Organization14 cited
  • 2020Octave-generalized analysis of chord progressions: Diatonic/fifth relations, missing fundamentals, completion tones3 cited
  • 2023Psychocultural histories and explanatory gaps2 cited