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Rapping with a Forked Tongue, Code-switching and the Tribalized Kenya of the end of the Twentieth Century in ‘Otongolo Tyme’ by Poxi Presha
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References

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  • 2001Kula Raha: Gendered discourses and the contours of leisure in Nairobi, 1946–6357 cited
  • 2011Masculinity and nationalism in East African hip-hop music36 cited
  • 2004“You Don't Get to Sing a Song When You Have Nothing to Say”: Oliver Mtukudzi's Music as a Vehicle for Socio-Political Commentary

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28 cited
  • 2001African Music as Text26 cited
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